Home » Jazz Articles » Album Review » Aaron Goldberg: Unfolding

171

Aaron Goldberg: Unfolding

By

Sign in to view read count
Aaron Goldberg: Unfolding
Impressionism drives the jazz piano trio. Aren't we all storytellers? Listeners' interpretations can vary, and that's what makes art special. Just let yourself go.

On his second recording as leader, Aaron Goldberg unfolds seven original stories and two classic pieces. His trio works in close proximity, with an intuitive feel. There's a fair amount of freedom for each artist. Bass and drums provide independent lines that complement the pianist's thoughts. Goldberg, 27, shares a thorough understanding of the blues, Latin rhythms, harmonic placement, and woodshedding keyboard mastery. And he swings! Before studying with Betty Carter, the pianist graduated magna cum laude from Harvard with a degree in History and Science. His concentration was in Mind, Brain, and Behavior.

John Coltrane's "Equinox" opens with a dreamy landscape that allows plenty of space for the trio to reflect. Gradually, they move into open territory with a cool drive. All three contribute fresh interpretations. Like most of the session, this one ebbs and flows through changing moods. Goldberg's originals paint placid scenes that contain little ripples here and there. "MAO's Blues" is a tribute to friendsMarcandOmer, a bassist and a drummer. "You Are the Sunshine of My Life" takes off with restrained passion. It's a quiet album, full of introspection, and free enough to allow your thoughts to follow their own course.

Track Listing

Sea Shantey; Isabella Meets Wally; If and Only If; You Are the Sunshine of My Life; 'Todd's Dream; PB and J; MAO's Blues; Second Chance; Equinox.

Personnel

Aaron Goldberg: piano; Reuben Rogers: bass; Eric Harland: drums.

Album information

Title: Unfolding | Year Released: 2001 | Record Label: J Curve Records


< Previous
Global Unity

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.