Home » Jazz Articles » Album Review » Ben Allison: Riding The Nuclear Tiger
Ben Allison: Riding The Nuclear Tiger
Together with pianist Frank Kimbrough, he formed the Herbie Nichols Project to perform and record this long-overlooked composer’s music. It seems Kimbrough and Allison were drawn to Nichols, whose career paralleled that of Thelonious Monk, but without the media attention. Allison takes inspiration in his own writing from Nichols’ borrowing from Dixieland, R&B, and classical music, by creating music that while remaining faithful to the jazz canon, is mindful of a time when jazz was also jovial, amusing and an expression of the composer’s personality.
This is the third disc by Allison’s band Medicine Wheel. The 1999 recording Third Eye was on just about everyone’s top ten list for the year and I’m certain Riding The Nuclear Tiger will repeat with top honors. Medicine Wheel makes music from a jazz renegade perspective. Musicians like Monk, Mingus, Lester Bowie, Rahsaan Roland Kirk, Willem Breuker, and Matt Wilson come to mind when you hear their music. With band members comfortable with the avant-, Allison is able to focus them back inside for highly personable music. On “Weazy” saxophonist Michael Blake simultaneously plays two saxophones over a circus waltz. “Tectonics” is a groove piece located somewhere on the Indian continent. But Allison is not just about quirks. His solid arrangement of “Jazz Scene Voyeur” comes from Ellington via Mingus.
Medicine Wheel is packed with jazz stars like Frank Kimbrough and sidemen soon to be stars Michael Blake (Slowpoke), Jeff Ballard (Chick Corea’s Origin), Ron Horton (Andrew Hill’s Sextet), Michael Blake (Slowpoke, Lounge Lizards) and Tomas Ulrich (Dominic Duval and Ivo Perelman). If you haven’t hitched yourself to this wagon, now’s as good a time as any.
Personnel
Ben Allison
bass, acousticAlbum information
Title: Riding The Nuclear Tiger | Year Released: 2001 | Record Label: Palmetto Records
About Ben Allison
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







