Home » Jazz Articles » Album Review » The Joel Futterman/Ike Levin Trio with Randall Hunt: InterView
The Joel Futterman/Ike Levin Trio with Randall Hunt: InterView
The musicians commence the proceedings with a finely crafted twenty-two minute excursion titled, 'Scenarios', while also eliciting impressions of perhaps John Coltrane, Jimmy Garrison and McCoy Tyner expounding upon ethereal musings and harmonically rich motifs, amid various scenarios. Here, Levin demonstrates a robust tone complete with soulful lines and shrewd utilization of space and chromatic scales along with a few well-placed nods to Trane, while Futterman often provides the swirling arpeggios and sonorous dreamscapes. Essentially, the trio exchanges passionate dialogue against numerous aural vistas as Hunt effectively steers the lead soloists in and out of spiked choruses, climactic movements and free-style escapades while the musicians reconstruct previously articulated themes with blues-drenched notes and insightful resourcefulness.
The band delves into disparate terrain whether belting out an innocent and straightforward four bar blues, witnessed on 'Melon Juice' or while executing calming call and response type dialogue on 'Mr. Lekish'. The final track, 'Micro Climates' is all about inquisitive interaction, sublime lyricism, deft sound shaping and the soloist's lilting proclamations as the overall production glimmers with resplendent imagery fabricated atop loose interplay, probing statements and memorable melodies. Recommended!
* * * * (Out of * * * * *)
Track Listing
Scenarios, Melon Juice, InterView, Mr. Lekish, Dispatch, On Word, Micro Climates
Personnel
Joel Futterman
pianoJoel Futterman; piano, curved soprano saxophone & Indian flute: Ike Levin; tenor saxophone, Brazilian kalimba, Canfi Indian flute & tambourine: Randall Hunt; contrabass & bells.
Album information
Title: InterView | Year Released: 2001 | Record Label: IML Music
About Joel Futterman
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






