Home » Jazz Articles » Album Review » Will Calhoun: Live at the Blue Note

Will Calhoun: Live at the Blue Note

By Craig Jolley
December 1, 2000
View read count

Percussionist Calhoun has hired most of Bobby Watson's Horizon quintet, but this session is not a case of Watson uncomfortably grimacing as a sideman in his own band. For one thing Calhoun's band has a more modern feel. As might be expected Watson is the strongest soloist, but he limits his contributions to playing, and he is careful not to steal the show. He plays tenor (instead of his usual alto) on a couple of cuts, giving the band a more classic sound. His tenor voice has less of an edge and owes something to the less extroverted pre-bop tradition.

Calhoun wrote most of the music, but Stafford, Evans, and Benitez also contributed arrangements. The tunes serve as worthy points of departure with the backgrounds of particular interest. Rhythm is Calhoun's main message, and he delivers it in a variety of flavors. His drum technique and time, reminiscent of later Tony Williams, are solid. He plays interesting rhythms, and he plays them well, but his soloing and accompanying are predictable and lick-bound at times. Unlike many other young drummers he does not overplay or indulge in pointless marathon solos.

The energy level is there with all participants bringing their 'A' games.

Track Listing

Dorita; Minority; Umoja; Fe-Fi-Fo-Fum; Dawn Of The Great Eastern Sun; Africa's Afternoon; Drum Hymn For Ana Marie Shorter; Dolphin Dance

Personnel

Will Calhoun

drums

Will Calhoun, drums, udu, wave drum; Bobby Watson, alto & tenor sax; Terell Stafford, trumpet; Orrin Evans, piano & keyboard; John Benitez, acoustic & electric bass http://www.halfnote.net

Album information

Title: Live At The Blue Note | Year Released: 2000 | Record Label: Half Note Records

PREVIOUS / NEXT

A Conversation with Benny Golson
< Previous

Live at the Montreux Jazz Festival
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.