Boston's Randy Roos-A Local Legend Sustains Infinitely
RR: That was a bizarre night. It worked out really well and we got into some real textural stuff. Three guitars and nothing else leaves a lot of textural possibilities. Then we did the Mistral record. Now the whole point of that was to do a record and then do a band. I stopped going to Berklee and I stopped thinking about getting a sideman gig and I did my own band again. That was probably the worst decision of my life, at that point. If there's anything I regret it was that I didn't pursue my idea to get good, established sideman gigs at that point. That was the time to do it. I had the connections; I was starting to get the skills. I'd never be a good sideman really'I'm not that good at'
AAJ: Incorporating yourself into other people's'?
RR: Yeah, I don't know what it is'but that was the time to learn how to do it anyway, but someone offers you a record deal..and I had a great band that was finely tuned, you know. That's when I got the synth thing happening too. I bought the Arp Avatar. I would work all day on parts that I would add, and then I'd go into the studio and add those parts. I think I had a week and a half of overdub time. We did the basics in two days.
AAJ: I always thought that was your own indie record release.
RR: No, Spoonfed Records was Bruce Patch's label. Here's another bad decision I made. One day, before the record was released, Bruce called me from the offices of Motown records and said, 'Here, I want to put this guy, who is head of A and R, on the phone.' He said, 'I've listened to your forthcoming record and I really like it. I think there's a lot of potential here. I've got a keyboard player I'm working with. I'd like you to come out to Detroit and work with this guy and we'll see what happens.' I said, 'I don't want to do that. I have a band here.' Bruce got back on the line and said, 'Oh you don't want to do that?' I confirmed that these were the guys I was working with and that was it. Didn't even give that a second thought 'til years later. Why would you not explore an opportunity like that. I had this idea in my head. 'This is my band. These are my guys. I am loyal to my guys.' I don't even know who the Motown keyboard player was. The thing is I could have kept that band and done both. Why would I not want to do that?
AAJ: But it was different times then. There was a great scene here in Boston. More than there is now, that's for sure.
> RR: You're right. I think the point was that I was still somewhat under that misconception of leading a charmed life. If I was going to do it this way it was going to work. Yeah, right.
AAJ: Sometimes if you are strongly enough under that misconception, it actually does happen.