Home » Jazz Articles » Album Review » Guy LeBlanc: Subversia
Guy LeBlanc: Subversia
Subversia is much more fusion overall than LeBlanc/ Nathan Mahl’s The Clever Use of Shadows. Progressive rock is still present with LeBlanc’s excellent keys! Jazzy sax is strong as well. Guesting on four extended tracks out of seven total, is the phenomenal, consummate, fusion guitar wizard, (drum roll please), Scott McGill. His contribution to this release alone is well worth the purchase for fusion-heads. But remember, McGill jams in LeBlanc’s well-designed compositional spaces. It is LeBlanc’s genius that makes this release so strong.
That Nathan Mahl feel is evident but Subversia leans heavily towards that Bruford/ Finneus Gauge gestalt in many songs. Lots of good trade-offs 'tween LeBlanc and McGill here good fusiony conversational soloing like the days of classic Mahavishnu Ork stuff. Subversia all the strong points of Nathan Mahl and more melodic, lyrical, well-placed riffing by McGill. The sonic storms of legato/ ostinato riffage are there for sure but McGill is delightfully even-paced and solos right on like Holdsworth/ Goodsall/ "Unknown" John Clarke did with Bruford.
The CD tells a tale so it is a well-done concept album. LeBlanc is a great songsmith. Plenty of variety here and loads of great instrumental breaks in songs with lyrics. Vox is strong and pleasant. No Geddy Lee screeching or symph-prog bombastic falsettos here thankfully. I can't remember anything noodling-lame or meandering-weak here just a solid, 9.2 outta 10, keeper overall. And hey I gotta openly support great artists like Guy and Scott anyway. They are the type musicians that do stuff worth buying again and again. Highly, firmly, and easily recommended.
Cyberhome: www.spiralwave.com/natmahl.htm
Personnel
Album information
Title: Subversia | Year Released: 2000 | Record Label: Mahl Productions
About Guy LeBlanc
Space Music Ambience TranceScapes
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







