Home » Jazz Articles » Album Review » Guy LeBlanc: Subversia

99

Guy LeBlanc: Subversia

Canadian Guy LeBlanc is the keyboardist, vocalist, composer, and driving force behind the highly gifted, prog/ fusion, rock group, Nathan Mahl. Subversia is LeBlanc’s solo release. First off, I have to say, this release is on my top ten list for fusion/ progressive rock releases for 1999. So if you want to skip to the next review, ready to buy this, great. Still curious? Read on.

Subversia is much more fusion overall than LeBlanc/ Nathan Mahl’s The Clever Use of Shadows. Progressive rock is still present with LeBlanc’s excellent keys! Jazzy sax is strong as well. Guesting on four extended tracks out of seven total, is the phenomenal, consummate, fusion guitar wizard, (drum roll please), Scott McGill. His contribution to this release alone is well worth the purchase for fusion-heads. But remember, McGill jams in LeBlanc’s well-designed compositional spaces. It is LeBlanc’s genius that makes this release so strong.

That Nathan Mahl feel is evident but Subversia leans heavily towards that Bruford/ Finneus Gauge gestalt in many songs. Lots of good trade-offs 'tween LeBlanc and McGill here — good fusiony conversational soloing like the days of classic Mahavishnu Ork stuff. Subversia all the strong points of Nathan Mahl and more melodic, lyrical, well-placed riffing by McGill. The sonic storms of legato/ ostinato riffage are there for sure but McGill is delightfully even-paced and solos right on like Holdsworth/ Goodsall/ "Unknown" John Clarke did with Bruford.

The CD tells a tale so it is a well-done concept album. LeBlanc is a great songsmith. Plenty of variety here and loads of great instrumental breaks in songs with lyrics. Vox is strong and pleasant. No Geddy Lee screeching or symph-prog bombastic falsettos here — thankfully. I can't remember anything noodling-lame or meandering-weak here — just a solid, 9.2 outta 10, keeper overall. And hey — I gotta openly support great artists like Guy and Scott anyway. They are the type musicians that do stuff worth buying again and again. Highly, firmly, and easily recommended.

Cyberhome: www.spiralwave.com/natmahl.htm

Personnel

Album information

Title: Subversia | Year Released: 2000 | Record Label: Mahl Productions


About Guy LeBlanc


Space Music Ambience TranceScapes

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Kevin Sun, I.
Kevin Sun
Solitary Moon
Tommy Muellner
Guinnevere
Peter Sprague
Soho Elegy
Rachael Calladine Quintet

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.