Ryan Kisor: Point of Arrival

Confidence is spelled with a capital “c” by Kisor on his second Criss Cross outing as he again goes it alone as the sole front-line horn. Last time out, on Battle Cry, Sam Yahel’s organ trio provided the backing, while this one goes for piano, bass, and drums as the rhythm team. Aside from pianist Peter Zak, Kisor’s other partners are holdovers from Horace Silver’s current lineup- Chicago bassist John Webber and drummer Willie Jones III. The foursome definitely has some chemistry going which makes Kisor’s job as the main solo voice just that much easier.

As Kisor states in the album liners, the models for this date are such trumpet and rhythm section classics as Kenny Dorham’s Quiet Kenny and Art Farmer’s Art and Perception. The prominent mood is a relaxed one that takes advantage of some strong writing from all hands and a few golden standards thrown in for good measure. The waltz tempo must be a Kisor favorite, as heard in the opening title track and the Willie Jones line “Jessica’s Theme.” Ballads are also a strong point for Kisor, his touching statement from “The Lonely Hour” being an album highlight. “Smoke Signal” and “For All We Know” hit that slow walking groove that makes you just snap your fingers or tap your foot and they’re both deeply satisfying.

As previously stated, Kisor has the goods to deliver on what could be a challenging task for any trumpeter. He shows too that it must run in the family, based on his duet with brother Justin on "Sir Lancelot." In the process, Point of Arrival easily joins the ranks of its predecessors and shows further growth from an artist we’ll want to keep our eyes on.

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