Home » Jazz Articles » Album Review » Phil Palombi: 80 East

168

Phil Palombi: 80 East

By

Sign in to view read count
Phil Palombi: 80 East
In an interview recorded as an afterthought to American Classic, a 1982 Dexter Gordon session, the then sixty-one year old tenor saxophonist was asked about the future of jazz. He replied, “Bebop is the music of the future.” His return to the US from a self imposed exile not only signaled the resurgence of bebop but opened the door for a very young Wynton Marsalis to carry it’s banner. As succeeding generations answer the call, Dexter’s memory and his cause is in good hands. Case and point, bassist Phil Palombi is a loyal devotee to his calling as a bassist and bop composer.

Palombi’s debut as leader was named after the interstate that brought him from the Midwest to New York. Perhaps a more suitable title for this session would have been Palombi and the TDWR band. In what must be considered as recognition of his vast potential as a jazz bassist, his sidemen assembled is a venerable who’s-who of jazz-insider faculty. Fellow musicians and knowledgeable jazz fans have been searching out performances of and recordings by Harold Danko, Walt Weiskopf, and Joe Labarbera. Danko, an educator, has recorded with Chet Baker, Lee Konitz, Woody Herman, and Gerry Mulligan. His music spans that of John Coltrane and Bill Evans, mixing beautiful ballads with complex structures. Weiskopf also a jazz educator, is an encyclopedia of the tenor. His knowledge of history and sound makes for intelligent and, better yet, swinging recordings. Labarbera is best known as pianist Bill Evans’ last drummer, his touch added to the generous vibes Palombi wrote for this session.

Choosing material and writing for his session mates, Palombi chose to accent their musical gifts. The disc opens with the title track, a mid-tempo number that Palombi and Labarbera propel Danko and Weiskopf into quick time changes and slick improvised passages. The band doesn’t just burn though, programming several ballads allowed for some solid bass solos that bring perhaps George Mraz or Niels Henning-Orsted Pedersen to mind. A solid session and a fine introduction to the future of jazz envisioned by Dexter Gordon.

Track Listing

80 East; I Should Care; Intrusion; Second Place; Piano Interlude; Heat; Joe Love; Wigglin’ & Squirmin’; Time Remembered; Time Travel; Bass Interlude; Home.

Personnel

Phil Palombi: Bass; Harold Danko: Piano; Joe Labarbera: Drums; Walt Weiskopf: Tenor Saxophone; Sarah Jane Cion: Piano (track 10).

Album information

Title: 80 East | Year Released: 2000 | Record Label: Palombi Music


< Previous
Charles Gayle

Next >
Art Pepper

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.