Bob Dorough: Eulalia (2014)
Recorded in 2011, Eulalia is a collection of new Dorough compositions that are as timeless as the singer himself. "Love (Webster's Dictionary)" recalls Dorough's major part in 30 years of Schoolhouse rock!. His piano playing, while uniquely his, seems as informed by Horace Silver as it is by Red Garland. There is a showtune quality to Dorough compositions, and this quality is well on display here. All of the tunes have a familiar sound but are beyond the simple pale of "I Got Rhythm." "Whatever happened to Love Longs" is a ballad that features sophisticated Dorough chord progression and his broadest singing range. That voice again. Dan Bilawsky called Dorough's voice one ..." that's really an acquired taste, but it's a taste worth acquiring." It does grow on you and it is as genuine as the Fourth of July.
"But For Now" with its descending harmonic figure and moderate tempo recalls Dorough's first great composition, "Devil May Care." This is music of unusual quality. "To Be of Not To Bop" is based on a complex head and recalls the singer's famous treatment of Charlie Parker's "Yardbird Suite." Houston's own Dennis Dotson provides a tart trumpet interlude accented with Dorough's well-considered piano support. The disc is bookended by two performances of Dorough's original instrumental "Eulalia," featuring the singer's daughter on flute in a timeless Latin pastoral, delicate yet durable. Dorough is rare avis among jazz musicians, sharing space with only Dave Frishberg and Mose Allison. Who is stepping up to eventually fill these larges shoes? Can they be filled? Should they?
Track Listing: Eulalia; Love (Webster's Dictionary); Whatever Happened To Love Songs; But For Now; To Be Or Not To Bop; I've Got Just About Everything; A Few Days Of Glory; Consummation; Eulalia Reprise.
Personnel: Bob Dorough: piano, vocals, arrangements; Steve Gilmore: acoustic bass; Herman Matthews: drums; Phil Woods: alto saxophone; Aralee Dorough: flute; Dennis Dotson: trumpet; Thomas Hulten: trombone, tuba; Warren Sneed: tenor saxophone, soprano saxophone; Keith Vivens: electric bass (3, 7); Ray Wilson: guitar; Mike Mizma: vibraphone, pandeiro (2); Gary Mitchell, Jr.: choirmaster, vocals, Hammond B3 (7); Tammie Bradley: vocals (7).
Record Label: Self Produced