Suzanna Smith: Halfway Between Heaven & Love (2013)
Solidly empathic with her core trio of pianist Michael Coleman, bassist Brandon Essex durmer Hamir Atwal, Smith adopts an organic delivery lying midway between Tierney Sutton and Jacqui Sutton, that same place where mentor Laurie Antonioli lives, particularly on her recent American Dreams (Intrinsic Music, 2010). Smith emerges from this same rich vocal soil.
Smith joins Dorian Devins ( The Procrastinator (Self Produced, 2013)) as a new generation of lyricists penning words to jazz standards. Smith opens Halfway Between Heaven & Love with a mash-up of Tadd Dameron's "Ladybird" with Miles Davis' "Half Nelson," while closing with a warm and breezy interpretation of Dexter Gordon's "Soy Califa," replete with tenor saxophone accompaniment by Michael O'Neill, spinning LTD lines in the sand.
Smith, with Coleman, prove the composing juggernaut, producing music with a slight sepia tone ("Comet") and a winsome sense of humor ("Monk's Make Belief"). The original compositions meld well stylistically with the well-chosen standards and the original adaptations. Halfway Between Heaven & Love is a strong debut by an artist who is more than ready to come forward and be recognised.
Track Listing: Ladybird/Half Nelson; Paper Boat; Summer Me, Winter Me; The Man That Broke The Dragon’s Heart; Beautiful Love; Planes and Trains; Can You Give It Up; Comet; Monk’s Make Believe; I Would Give Anything; Hooray For Love; Alone Together; Soy Califa.
Personnel: Suzanna Smith: vocals; Michael Coleman: keyboards; Ken Husbands: guitar and bouzouki; Michael O’Neill: saxophone and clarinet; Brandon Essex: acoustic bass; Hamir Atwal: Drums; Jon Arkin: drums; Rob Ewing: trombone; Cory Wright: saxophone, clarinet & flute; Jordan Glenn: percussion and marimba; Mark Allen-Piccolo: electric bass.
Record Label: Ink Pen Records