Introducing Hevhetia Records: The Norwegian Connection
These two releases feature the growing influence of the feritle Norwegian scene on the Slovakian one.
Slovakian guitarist David Kollar collaborated during 2012 with Norwegian guitarist Eivind Aarset, but his seventh release as a leader references two other influential guitarists, Terje Rypdal and Stian Westerhus. Like his guitar heroes, his musical language incorporates elements of progressive rock, atmospheric ambient sounds, metal and open to experimental sonic outbursts.
The Son is a personal artistic statement, influenced by the hospitalization of Kollar's son. Kollar wanted to capture sonically his feelings during this painful period and chose a minimal settinghis electric guitar, bowed mandolin, gamelan and female voices, sketching his compositions out of improvisations. He created multi-layered, enigmatic soundscapes, highly cinematic and and emotional in spirit. The fragile, wordless vocals of Lenka Dusilová and India Czajkowska intensify the emotional content.
The pieces are structured as a long suite, accumulating tension, dark colors and shades to the atmospheric ambiance. Kollar's continuous, inventive experimenting with distortion, feedback and raw noises, while making full use of the studio space, adds a deeper, disturbing thread to delicate sonic and vocal textures. These colliding, fragmented sonic poles may symbolize the emotional period that Kollar experiencedthe extreme, dissonant sounds stress the peaceful, gentle ones, best captured on the aptly-titled "Fragmented Self." There are a few hopeful moments at the end of this sonic journey on "He Woke Up!" and "Playground at 16:37" that inform of a return to a more balanced, harmonic soundscapes. But even these gentle pieces are still filled with fragile overtones. The enigmatic journey is concluded symbolically with untitled piece of a distant recording of a children playing.
Toys,Toys and Toys
NOCZ Quartet is a promising Czech-Norwegian band that has operated since 2009, led by Norwegian trumpeter and educator Didrik Ingvaldsen, who wrote most of its music, and Czech saxophonist Radim Hanousek. Toys, Toys and Toys is the debut release of this powerful quartet.
The compositions mix muscular, rhythmic free jazz with sonic experimental sonic elements, spiced with Balkan and Klezmer overtones, alternating between tight, orchestrated parts and fiery free improvisations. The quartet's interplay is dense and dynamic. The front line of Inglavdsen and Hanousek complete each other's articulation, supported by the ever energetic rhythm section of double bassist Marian Friedl and drummer Václav Pálka.
NOCZ Quartet is not shy of adding humor to its expressive music, as the introduction of cuckoo clock sounds and gibberish radio voices, as on the hard swinging "Wake Up" and "Sunrise" or the playful childish interplay of "Free Piece." Inglavdsen use of the electric trumpet on "A7," with the volatile, disjointed drumming of Václav Pálka, adds an experimental, alternative rock touch to this piece. "Bistro," the final, slow-burning piece here, enables the quartet to explore the infectious theme and the tight, driving pulse.
Tracks and Personnel
Tracks: In the Middle of Somewhere; Shine Through the Heaven; Fear and Trembling; Take a Breath in Silence; Today at 18:00; Near that place; Fragmented self; In the boundary of contingency; Near That Place Again; Mothers Imploring Sight; In the Middle of Something; He Woke Up!; Playground at 16:37; Untitled.
Personnel: David Kollar: guitars, bowed mandolin, voice, gamelan; Lenka Dusilová: vocals; India Czajkowska: vocals.
Toys, Toys and Toys
Tracks: Toys, Toys and Toys; Bílá Opice; Lázaro; Wake Up; Sunrise; Free Piece; A7; Intro; Not Rain; Bistro.
Personnel: Didrik Ingvaldsen: trumpet, electric trumpet, cornet; Radim Hanousek: baritone saxophone, soprano saxophone, tenor saxophone; Marian Friedl: double bass; Václav Pálka: drums, percussion.