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Catching Up With

Tiempo Libre: Back in Havana

By Published: September 21, 2013
Jorge drums on the counter top. "Have a beer, have another.' And everyone on the beach comes to us. The whole idea is to forget your problems. So my friend says to me, 'I had the best day of my life.' Yea! Be happy! This is youth; this is how you stay young. Life is so big."

I shake my head, "Not in America; we concentrate on sickness and misery."

"Yea! You don't have sickness yet, but you are going to get it." He ruptures into laughter, and takes a sip of beer. My father tell me one time you have to hear your body; your body going to take you in the right direction. Just listen and you are going to feel so good. Sometimes I can't go to sleep at night. All the songs and ideas in my head and I can't sleep. I must write it down, and the next morning I feel so good, because I didn't go to sleep. I drink beer because I am too happy-over happy."

"Where did you learn this happiness?"

"From all the difficult paths I have in my life. Childhood was very difficult; no food, no water, no electricity, no plumbing. What you going to do? Party, go outside, dance, play basketball, baseball. I get my friends and they say my problems are bigger than yours. Bla bla bla."

I'm laughing now as Jorge continues to articulate his life philosophy. "At the end of the day you are so happy because you see people less fortunate and some more, and you are in the middle, and you want to help those people, you can't go it alone."

He chuckles again. His smile is broad as his cheek line. A streak of sunlight crossed the keyboard, and Jorge's eye and brows are in motion, as much as his legs arms and hands.

"What you're going to hear tonight is a lot of crazy crazy energy, good music, a lot of stories. You're going to see a lot of soul. When Raul plays his trumpet you're going to turn inside out."

"What is Timba music?"

"A mixture of jazz, classical, rock, and Cuban music."

"Sounds like a musical."

"Yes, Yes! We are in preparing for that."

Four hours later I was in the Lensic Theater, twelve rows from the stage. Lead singer Xavier Mill, Jorge, Raul, Louis Betran Castillo on flute and sax, Wilvi Rodriguez Guerra on bass, Israel Morales Figueroa on drums and Leandro Gonzales on Congas opened the set, and five minutes into it I was dancing below the stage. Two and half hours later I was still dancing, along with half the audience. That's entertainment!


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