Johanna Graham: Don’t Let Me Be Lonely

Years back, there was a fascinating self-help book entitled The Road Less Traveled (Simon and Schuster, 1978) by psychiatrist, M. Scott Peck. The premise of that long-time #1 best-selling effort was simple: in Life sometimes making a riskier choice—where the unknown awaits—can be the most rewarding. Perhaps taking Peck's suggested advice, Don't Let Me Be Lonely by British vocalist Johanna Graham takes a right turn at a musical crossroads and, for the most part, the result is a musically satisfying journey.

The recording offers up eleven interestingly presented selections wherein the vocalist—she from Cornwall-By the Sea—and her session mates make an auspicious splash. It is a noteworthy debut recording.

Graham's vocal approach across the date is intriguing and approachable. She possesses a fine voice that tends to shine on the more energetic pieces. Her intonation is spot on and her rhythmic nuance is ideal. Her vibrato is fast—Eartha Kitt rapid—and when engaged, detracts somewhat from the beauty of her overall sonority. Her dynamic shadings are interesting and not extreme in either direction. Based on this recording, it's obvious that this is a vocalist with some intriguing potential.

There are three well-worn GAS classics on the date ("Stormy Weather," "Summertime," "I'm Through With Love") and Graham performs them well. However, her star shines brighter on the more unusual efforts. For example, a neat rendition—and a terrific production choice—of The Doors' "People Are Strange," is turned inside-out as up-tempo swing and is a perfect vehicle for Graham's interpretative skills. It is indicative of her apparent unique ability to choose wisely and make things happen with fare more well-known in another genre. Kate Bush's "The Man with the Child in His Eyes" also gets the faster take, however, doesn't seem to work as well at the faster tempo.

The piano-less supporting cast are all top-flight players and frame Graham exceptionally well. They swing heavy. Guitarist Martin Bowie sends up some tasty solos ("Don't Let Me Lonely Tonight") as does trumpeter Rory Simmons ("Too Much"). Bassist Tim Greenhalgh and drummer Damian Rodd drive the band exceedingly well.

All things considered, Don't Let Me Be Lonely is an enjoyable introduction to an emerging vocal talent. So, when the musical crossroads choice appears, turn right here.

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