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Moster!: Moster!: Edvard Lygre Moster
ByEdvard Lygre Møster, the recorded debut of his hotter-than-hot quartet Møster!, may come three years after the quartet's beginnings at the 2010 Kongsberg Jazz Festival and 17 months after it was recorded at Oslo's Victoria- Nasjonal Jazzscene club in December, 2011, but it was more than worth the wait. Two of its memberskeyboardist Storløkken and bassist Nikolai Eiltersenwork together regularly in the equally high octane power trio Elephant9, most recently heard in collaboration with Swedish guitarist Reine Fiske on Atlantis (Rune Grammofon, 2012). Drummer Kenneth Kapstad, in addition to his work with the progressive space-rock group Motorpsychowhose collaboration with Storløkken, The Death Defying Unicorn (Rune Grammofon, 2012) ranked as one of last year's best recordings alongside Atlantisis also a co-founder of Grand General, whose self-titled 2013 Rune Grammofon debut is already on the short list for one of this year's top titles.
So, with intrinsic chemistry, high-powered virtuosity, a collaborative improvisational approach and original music that runs the gamut from near-silent to ear-shattering and, conversely, hard-edged to achingly beautiful, Edvard Lygre Møster certainly stands alongside Grand General as one of the year's most important debuts. With Møster's use of extended techniques and electronics, it's sometimes difficult to differentiate between the saxophonist and Storløkken, though it's usually given away by timbres that are reliant upon breath, and the keyboardist's otherworldly Moog tones are hard to miss.
At his most extreme, Møster can be reminiscent of [{Mats Gustafsson}} (The Thing, Fire!), but the Norwegian's use of electronics create immediate differentiation from the Swedish saxophonist's largely acoustic approach, though both saxophonists are clearly capable of filling a room with a massive soundin Møster's case, either acoustically or electrically and, in particular, when he switches to baritone.
Eilertsen has, over the past few years, garnered attention as an electric bassist capable of hanging onto a riff as if his life depended on itnot unlike Michael Henderson's work in trumpeter Miles Davis' electric bands of the 1970s, but with a huge, thunderous tone not heard since bassist John Wetton and Larks Tongues in Aspic-era King Crimson. Kapstad proves, no surprise, as capable of hammering a raucous groove as he is creating a percussive maelstrom, doing both on the opening "Plastic Disco." The tuneone of four Møster compositions that make up this 46-minute setopens with a conglomeration of ethereal atmospherics from the saxophonist and Storløkken, but gradually builds to an unrelentingly groove of stentorian proportions, calming back to atmospheric angularity before segueing into "Ransom Bird. "Hard though it may seem to believe after "Plastic Disco," "Ransom Bird" attacks with even greater energy, Eilertsen's two-chord vamp driving some of Møster's most frenzied playing of the set before leaving space for Storløkken to take an effects-laden Fender Rhodes solo of similarly epic magnitude.
"Composition Task #1" proves that Møster! is capable of taking things downway downwith the saxophonist leading a seven-minute excursion into music evocative of Norway's more rugged but beautiful landscapes. It's a rubato tone poem that builds to a tempestuous peak courtesy of Møster's over-blowing and Kapstad's ambidextrous turbulence before gradually fading back to near-silence, the audience's enthusiastic response encouraging the quartet to deliver the closing "The Boat"at over 16 minutes, Edvard Lygre Møster's longest trackwith even more incendiary vigor. A baritone and bass melody floats over Kapstad's frenetic pulse before opening up for an in-tandem solo between Eilertsen's overdriven, wah-wah-inflected bass and Storløkken's punchy Rhodes. When Møster returns for the final solo of the set, he does so with both barrels blazing, the reverb on his baritone making it sound as if it's traveling towards the group from light years away, ultimately arriving and, with a combination of heavy overdrive and even heavier over-blowing, driving the group to a deafening peak and cataclysmic conclusion.
Not for the faint-at-heart, Edvard Lygre Møster not only makes for a rarely paralleled debut of raw, unfettered energyand spotlights a leader whose commanding assimilation of his instrument and electronics is similarly inimitableit serves notice of a group of monumental potency that is clearly best experienced live...but until then, this extraordinary debut will more than suffice.
Track Listing
Plastic Disco; Ransom Bird; Composition Task #1; The Boat.
Personnel
Møster
band / ensemble / orchestraKjetil Møster tenor and baritone saxophones, electronics; Ståle Storløkken: Fender Rhodes, Moog, electronics; Nikolai Eilertsen: electric bass, electronics; Kenneth Kapstad: drums.
Album information
Title: Moster!: Edvard Lygre Moster | Year Released: 2013 | Record Label: Hubro Records
Comments
About Møster
Instrument: Band / ensemble / orchestra
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