Uri Gurvich: BabEl (2013)
Although the music is multicultural, it is not the musical equivalent of a simple pidgin language. This band, which also makes up the core of Mela's Cuban Safari, an Afro-Cuban update on an electric Miles Davis sound, speaks multiple languages fluently. Where Gurvich might write tunes from an Eastern perspective, his band will pull the sound towards the Afro- Cuban, South American, and rock-fusion sounds of jazz.
With the help of Fribgane's oud, the disc travels to the Middle East on "Pyramids." Gurvich's saxophone traces the melody, with a sound that is more Brooklyn than Tel Aviv. His approach, and that of his band, is to speak a modern jazz language without disguising their accents. Those accents are informed by jazz and rock. "Nedudim" opens with Genovese's electric keyboards speaking Joe Zawinul's fusion as the piece expands into an electric-rock groove. What starts as an acoustic tango, the song "Alfombra Magica" blends a blues-feel progression that gets a bit of electronic treatment at the conclusion. The band's mission statement song "Scalerica de Oro" is a traditional Sephardic Latin wedding tune that blossoms from a paced inauguration through some electric keyboards and into song.
The joy expressed in Gurvich's music is the same joy John Coltrane discovered when he applied his African-American gospel roots to jazz and world music. With BabEl it's just the reverse that is true.
Track Listing: Pyramids; Dervish Dance; Nedudim; Alfombra Magica; Scalerica de Oro; Hagiga Suite; Camelao; Valley Of The Kings.
Personnel: Uri Gurvich: alto saxophone, voice; Leo Genovese: piano, keyboards, voice; Peter Slavov: bass, voice; Francisco Mela: drums, percussion, voice; Brahim Fribgane: oud, percussion (1,5, 7).
Record Label: Tzadik
Style: Modern Jazz