Home » Jazz Articles » Album Review » Michael McNeill Trio: Passageways
Michael McNeill Trio: Passageways
McNeill has a mature, personal voice, developed through a wide range of experiences, including with trumpeter Maynard Ferguson alumnus, baritone saxophonist Bruce Johnstone, and crossover ensembles led by percussionist Ravi Padmanabha. His compositions apply open-ended, jazz-based improvisational techniques to the format of the Indian raga. After sketching the skeletal lines of a composition, the trio patiently explores its various aspects both simultaneously and separately, until reaching a common climax.
The twenty-minute opening, "Hold On," stresses this approach. Filiano creates tense interplay with his confident, reserved arco work, amidst fractured rhythmic patterns and spare piano lines. Later, McNeill lessens this tension with an impressionistic solo that is transformed into a conventional yet fiery trio improvisation with a clear chord progression that concludes when Filiano, once again, leads with arco solo.
"Nobody's Waltz," "PreludeMetropolis" and "Exit Now" have even looser structures, their progression shifting according to the immediate articulations of all three musicians without an attempt to tie them into any obvious pattern. This approach demand fast thinking and a rich musical language that allows the trio to color the material with imagination and passion, encompassing these free form abstractions within a cohesive envelope. Only the closing "I'm OK Now" follows a touching melodic theme, delivered in a beautiful and elegant manner.
McNeill is an exceptional composer and player, with a debut that sets a high standard for those yet to come.
Track Listing
Hold On; Nobody's Waltz; Prelude - Metropolis; Exit Now; I'm OK Now.
Personnel
Album information
Title: Passageways | Year Released: 2013 | Record Label: Infrasonic Press
About Michael McNeill
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







