Omar Sosa: Eggun (2012)
Joan Cararach, the director the Barcelona Jazz Festival, makes note of the fact that this music "derives from the melodic cells of Kind Of Blue's solos," and notes that the brief interludes connect to pianist Bill Evans' work, but that may or may not be so important. Something so obviously grown from "Flamenco Sketches" might be detected in Sosa's musicor the "So What," "All Blues," and "Freddie Freeloader" references of "So All Freddie"or perhaps they won't. What's wonderful about this recording is that it's open to interpretation by the individual and it captures the spirit, if not the musical essence, of Davis.
While Sosa breaks the record up into fifteen tracks, it plays out best as one long-form work. His skills as a sonic architect shine through here. On his previous recordings, the solo Calma (Ota, 2011) and duo Alma (Ota, 2012), Sosa was the focal point, but on this record, his role is different. He still acts as a pianistic conjurer of spirits, but his big-picture job as puppet master and constructionist is of greater importance in the grand scheme of things.
When working with a pan-global ensemble of eleven, it's important to consider the road map and Sosa does more than that; he writes it. Some things remain fairly consistent and present, like Childo Tomas' bubbly bass and Joo Kraus' cut-to-the-heart, Davis-esque trumpet, but other parts come and go. Percussion is an important and near-constant element at play, as on all of Sosa's larger works, but with three percussionists and a drummer mixing things up, it never sounds the same from moment to moment or track to track. Leandro Saint-Hill and woodwind antiquarian Peter Apfelbaum both deserve high praise, proving to both be valuable design elements, as they cover everything from flute to bass saxophone between them.
Eggun, like most of Sosa's records, is more of an experience than an album, so sit back, light some candles, as Sosa himself would likely do, and let the music take you away.
Track Listing: Alejet; Al Alba; Interludio I; Alternativo Sketches; Interludio II; Madre Mia; Interludio III; So All Freddie; Interludio IV; Rumba Connection; Interludio V; Angustiado; Angustiado Reprise; Interludio VI; Calling Eggun.
Personnel: Omar Sosa: piano, Fender Rhodes, electronics; samples; Marque Gilmore: acousti-lectric drums; effects programming, drum loop production; Childo Tomas: electric bass, kalimba, vocals; Joo Kraus: trumpet, flugelhorn, electronic effects. Leandro Saint-Hill: alto saxophone, clarinet, flute; Peter Prfelbaum: tenor saxophone, soprano saxophone, bass saxophone, melodica, caxixi; Lionel Loueke: electro-acoustic guitar, vocals; Marvin Sewell: guitars; Pedro Martinez: percussion; John Santos: clave, chereke, waterphone, panderetas, tambora, guiro, quijada, Gustavo Ovalles: percussion.
Record Label: Ota Records