Live Reviews

All That Jazz Month: Phoenix, AZ, November 9-30, 2012

By Published: December 24, 2012

All That Jazz Month
Musical Instrument Museum
Phoenix, AZ
November 9-30, 2012

All That Jazz Month, in November 2012 at the Musical Instrument Museum (MIM), featured a star-studded concert series that included the saxophonist Branford MarsalisBranford Marsalis Branford Marsalis
b.1960
saxophone
Quartet, vocalese masters The Manhattan TransferThe Manhattan Transfer The Manhattan Transfer

vocal
, DIVA JazzDIVA Jazz DIVA Jazz
with saxophonist Grace KellyGrace Kelly Grace Kelly
b.1992
sax, alto
, and a Django ReinhardtDjango Reinhardt Django Reinhardt
1910 - 1953
guitar
Tribute, all staged to introduce a newly expanded jazz history exhibit.

The month was launched Nov. 9-11 with an All That Jazz weekend that included concerts, curatorial talks, presentations by guests from the Smithsonian Institution and the Ella FitzgeraldElla Fitzgerald Ella Fitzgerald
1917 - 1996
vocal
Charitable Foundation, and live music by local jazz groups. MIM is an ethnic music museum that opened in April 2010 with collections representing five global regions. The original small American jazz component was expanded this year into one of the museum's larger genre exhibits, with three sections of 66 instruments, 31 video clips and 23 images that represent jazz from its early days through swing, bebop, cool, hard bop and contemporary forms.

MIM, a Smithsonian affiliate, expanded its permanent jazz collection by borrowing several instruments from the Smithsonian's National Museum of American History for display including clarinets played by Benny GoodmanBenny Goodman Benny Goodman
1909 - 1986
clarinet
and Artie ShawArtie Shaw Artie Shaw
1910 - 2004
clarinet
, and a trombone played by J.J. JohnsonJ.J. Johnson J.J. Johnson
1924 - 2001
trombone
. Other pieces include a trumpet mouthpiece and mute used by Miles DavisMiles Davis Miles Davis
1926 - 1991
trumpet
and a guitar played by Charlie ChristianCharlie Christian Charlie Christian
1916 - 1942
guitar, electric
. A cornet associated with Louis ArmstrongLouis Armstrong Louis Armstrong
1901 - 1971
trumpet
is part of the Early Jazz segment, a beaded gown and lyric sheets owned by Ella Fitzgerald is in the Women in Jazz exhibit, and a saxophone played by Mario BauzaMario Bauza Mario Bauza
1911 - 1993
trumpet
and timbales are on loan to MIM from Eddie PalmieriEddie Palmieri Eddie Palmieri
b.1936
piano
for the Latin Jazz exhibit.

The month's focus also included concerts by saxophonist/flautist Jane BunnettJane Bunnett Jane Bunnett
b.1955
sax, soprano
's "Cuban Rhapsody" with pianist Hilario DuranHilario Duran Hilario Duran

piano
and 92-year-old congero CandidoCandido Candido
b.1921
congas
, the Ivory & Gold duo (pianist Jeff Barnhart and flutist Anne Barnhart) and the opening of a touring exhibition, "Portraits from the Golden Age of Jazz: Photographs by William Gottlieb," on display through April 6, 2013. MIM is showcasing instruments and video footage of many of the featured musicians alongside 71 photographs of jazz legends.

Marsalis performed back-to-back evening concerts on Nov. 13 with his dazzling trio of pianist Joey CalderazzoJoey Calderazzo Joey Calderazzo
b.1965
piano
, bassist Eric RevisEric Revis Eric Revis
b.1967
bass
and drummer Justin FaulknerJustin Faulkner Justin Faulkner

drums
. The leader chose tenor sax for "The Return of the Jitney Man," written by his longtime drummer Jeff "Tain" WattsJeff Jeff "Tain" Watts
b.1960
drums
, that featured Faulkner, a 20-year-old explosion master who joined the group three years ago. (Revis and Calderazzo date back to 1997's Music Evolution (Columbia). The repertoire reflected the newest Marsalis issue, Four MFs Playin' Tunes (Marsalis Music, 2012).

Marsalis switched between soprano and tenor saxophones to explore various moods and modes of subsequent charts, delivering Uzi-speed post-bop arpeggios against Calderazzo's equally agile keyboard work. The pianist's impressionistic composition, "As Summer into Autumn Slips," featured alternately fiery and tranquil segments. Thelonious MonkThelonious Monk Thelonious Monk
1917 - 1982
piano
's "Teo" tribute offered a quirky contrast to the ethereal "Maestra," each buoyed by the solid warmth of Revis and Faulkner's awesome foundation. The encore of the 75-minute concert brought a 180-degree shift in content and style, Marsalis bringing out his tenor sax for a straight-ahead rendition of George GershwinGeorge Gershwin George Gershwin
1898 - 1937
composer/conductor
's last composition, "Our Love Is Here to Stay." It was a mystifying change of pace, but definitely audience-satisfying.

Manhattan Transfer performed four holiday-themed shows on Nov. 29-30 for age-mixed audiences that reflected the four-decade popularity of the vocalese aggregation. The first five songs were holiday themed and included Johnny MandelJohnny Mandel Johnny Mandel
b.1925
arranger
's "A Christmas Love Song" and, later, a rendition of Mel TormeMel Torme Mel Torme
b.1925
vocal
's "The Christmas Song." As expected, the most enthusiastic response was for keyboardist Joe ZawinulJoe Zawinul Joe Zawinul
1932 - 2007
keyboard
's "Birdland," the group's anthem since 1979 via the Jon HendricksJon Hendricks Jon Hendricks
b.1921
vocal
lyrics to the Weather ReportWeather Report Weather Report

band/orchestra
hit.

The harmony charts were well-balanced and flawless, from founder Tim HauserTim Hauser Tim Hauser
and original members Janis SiegelJanis Siegel Janis Siegel
b.1952
vocal
and Alan PaulAlan Paul Alan Paul
b.1949
vocal
in 1974 to longtime colleague Cheryl BentyneCheryl Bentyne Cheryl Bentyne
b.1954
vocal
, who replaced Laurel MasseLaurel Masse Laurel Masse
after she was injured in a car accident in 1979. Solo spots showcased Hauser's ageless and mellow elegance that define the group harmony. Bentyne's soprano continues to be supple and high-energy, despite battling cancer during the past year and rejoining the group in July. Paul's relaxed charm is tailor-made as the ensemble's balladeer. Siegel's rich horn-style vocalese improvisations were alternately soothing and swinging. Musical director-pianist Yaron GershovskyYaron Gershovsky Yaron Gershovsky
pleased the audience with his intro for the Count BasieCount Basie Count Basie
1904 - 1984
piano
version of "Corner Pocket (Until I Met You)." Like the Rolling StonesRolling Stones Rolling Stones

band/orchestra
, these "elders" show no sign of diminishing energy or talent.

The DIVA JazzDIVA Jazz DIVA Jazz
, the core of the all-female orchestra created in 1992, is proof of musical intuition. Following the short opening set by a local jazz quartet featuring Eric Rasmussen (director of jazz studies at Scottsdale Community College), drummer-leader Sherrie MaricleSherrie Maricle Sherrie Maricle
b.1963
, pianist Tomoko Ohno and bassist Noriko UedaNoriko Ueda Noriko Ueda

bass, acoustic
delivered their November 10th concert at the MIM as a solid collective, while affording individualistic opportunity in every chart. Powerful big-band drummer Maricle provided the propellant, but never eclipsed her coalition partners in this small-group setting. Ohno's keyboard invention was dazzling in concept and technique-strong, while Ueda delivered round warmth on acoustic bass, even adding a bit of scat. With a far-reaching repertoire, from the evergreen "Bye Bye Blackbird" to a most-modern "If I Only Had a Brain," the trio played a thoroughly satisfying set.

Then they brought on Grace Kelly, the 20-year-old saxophonist who's been stunning listeners around the world on alto and soprano saxophones. She was nothing less than fearless in her blazing bebop solos. Her astonishing technical agility created ear- boggling flights, but she proved equally capable of treating a ballad gently. While there was a rock-star element in her onstage movements and wardrobe choices, she obviously respected the genre of music she has chosen to pursue. This one is not simply a prodigy, but a talented and trained musician who has developed the confidence to challenge herself in each outing. Born in Massachusetts of Korean parents, Grace Chung was adopted by her mother's second husband, Robert Kelly.

Dorado SchmittDorado Schmitt Dorado Schmitt
b.1957
guitar
brought the 1930s sounds of the Quintette du Hot Club de France to the MIM on November 18 (the concert added to MIM's jazz month after the group's tour ended in San Francisco before returning to Europe). The French guitarist-violinist is dedicated to the gypsy jazz oeuvre of Jean "Django" Reinhardt, the genre known in France as "jazz manouche." Like Reinhardt, Schmitt merges swing and bebop via lead guitar, rhythm guitar, acoustic bass and violin, plus an accordionist, as Reinhardt briefly used in his early years of performance. Unlike Reinhardt playing only acoustic guitar, Schmitt was on electric guitar for this concert, but his infinite control and speedy agility were amply displayed.

"Sweet Georgia Brown" was an anticipated rendition, also "Minor Swing" and "Nuages," with Xavier Nikq slapping the upright bass as Schmitt and rhythm guitarist Franco Mehrstein delivered counterpoint melodies. Violinist Pierre Blanchard rekindled memories of Stephane GrappelliStephane Grappelli Stephane Grappelli
1908 - 1997
violin
's work with the Quintette, and Ludovic Beier impressed with his accordion prowess. Schmitt's "Bossarado" merged samba with Django-jazz for a fascinating change of pace. Schmitt has starred for the past 10 years at New York's annual Birdland Djangofest.

An added element of jazz month was the showing of "The Girls in the Band, a 2011 film that will be released soon, after its premier at a recent Palm Springs, Calif., festival. Director Judy Chaikin explored women's roles in jazz as instrumentalists, composers, arrangers and conductors. The archival footage and stills that Chaikin assembled were enhanced by interviews with many of the women themselves, among them drummer Viola Smith, trumpeter Billie Rogers and saxophonists Rosalind "Roz" Cron and Peggy Gilbert, also contemporary musicians including pianists Marian McPartlandMarian McPartland Marian McPartland
b.1918
piano
, Billy TaylorBilly Taylor Billy Taylor
1921 - 2010
piano
and Herbie HancockHerbie Hancock Herbie Hancock
b.1940
piano
, trumpeter Ingrid JensenIngrid Jensen Ingrid Jensen
b.1966
trumpet
, drummer Terri Lyne CarringtonTerri Lyne Carrington Terri Lyne Carrington
b.1965
drums
, arranger/composer Maria SchneiderMaria Schneider Maria Schneider

band/orchestra
, saxophonist Jane Ira BloomJane Ira Bloom Jane Ira Bloom

sax, soprano
, clarinetist/saxophonist Anat CohenAnat Cohen Anat Cohen

sax, tenor
, bassist/vocalist Esperanza SpaldingEsperanza Spalding Esperanza Spalding
b.1984
bass, acoustic
and drummer Maricle.

Among the highlights were interviews with saxophonist Vi ReddVi Redd Vi Redd
b.1928
sax, alto
, trumpeter Clora BryantClora Bryant Clora Bryant
b.1929
trumpet
and trombonist-composer Melba ListonMelba Liston Melba Liston
b.1926
trombone
, who was one of trumpeter Dizzy GillespieDizzy Gillespie Dizzy Gillespie
1917 - 1993
trumpet
's preferred arrangers. Also cited was pianist Lil Hardin ArmstrongLil Hardin Armstrong Lil Hardin Armstrong
1898 - 1971
piano
, Louis ArmstrongLouis Armstrong Louis Armstrong
1901 - 1971
trumpet
's second wife who played in the legendary trumpeter's Hot Five and Hot Seven recordings and was a member of King Oliver's Creole Jazz Band.

Footage showed Ina Ray HuttonIna Ray Hutton Ina Ray Hutton
b.1916
, the Ada Leonard Orchestra and the International Sweethearts of RhythmInternational Sweethearts of Rhythm International Sweethearts of Rhythm
b.1937
band/orchestra
. Saxophonist Cron, 87, participated in a post-film Q&A session, recounting her experience as the only white musician when the International Sweethearts of Rhythm toured the South; she often stayed on the bus to avoid confrontations. Also speaking were executive producer Michael Greene and Ohno and Ueda from the DIVA Jazz Trio (leader Maricle was playing a concert elsewhere that night).

MIM was founded and funded by Robert J. Ulrich, former CEO and chairman emeritus of Target Corp., of Minneapolis, Minn., a collector of African art and world museum enthusiast. After seeing the Musical Instruments Museum in Brussels, Belgium, Ulrich visualized one in the United States with more interactive elements.

Concerts were staged in the music theater of the 200,000-square-foot building, which has two floors of galleries displaying a collection of nearly 15,000 instruments and associated objects. MI offers both docent-led and self-guided tours using wireless audio guides that interface with the sound track for videos at more than 300 sites in 80,000 square feet. Hidden identifiers are installed at exhibits that cue the audio guides automatically to exactly the right sound-track as the viewer approaches each video screen. Built at a cost of $250 million, MIM also features a recording studio, classroom, café, coffee shop, courtyard and gift shop.

The museum's Artist Gallery includes George BensonGeorge Benson George Benson
b.1943
guitar
's Gibson Johnny SmithJohnny Smith Johnny Smith
b.1922
guitar
model guitar and one of his many Grammy Awards; Carlos SantanaCarlos Santana Carlos Santana
b.1947
guitar
's custom Yamaha guitar with inlaid Buddhist motifs; an early Paul Reed Smith (PRS) guitar played by Santana, a precursor to the "Supernatural" guitar, named after his multiple Grammy-winning album; the Steinway piano on which John LennonJohn Lennon John Lennon
1940 - 1980
composer/conductor
composed "Imagine," and the first Steinway piano, built in the 1836 kitchen of Henrich Engelhard Steinweg's home in Seesen, Germany. The Experience Gallery features instruments that can be touched and played.

A previous jazz focus was presented last August in connection with Jazz in AZ (a statewide nonprofit jazz-support organization established in 1977) that featured Arizona musicians performing with the Marty AshbyMarty Ashby Marty Ashby

guitar
Trio from the Manchester Craftsmen's Guild in Pittsburgh, PA.

The global collections were assembled by five curators who consulted with ethnomusicologists and organologists—musical instrument experts—under the supervision of the Musical Instrument Museum (www.mim.org) president Billie (Bill) R. DeWalt.

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