Home » Jazz Articles » Album Review » PGA: Corrections
PGA: Corrections
The duo is fascinated with soundany sound, strange and weird as it may be. No sound is obvious, there is no attempt to explore or perfect any orthodox method of playing double bass or drums and all nine improvisations are defined by loose structures. The sounds' origins are blurred: they can come from rubbing the body of bass or from bowing the frame of the mallets, attaining the same pitch on "Out of Tune" and "Ending?" The sounds can be minimalistic, with a focus on industrial sounds on "Pretty Good Alternative" and "Poor Guy Alone"; muscular and nervous on "Interference/Picking God Apart"; filled with otherworldly cinematic tension on "Catalogue"; or contemplative and disturbing on "Poor Guy Alone (Again). All sounds are explored with great intensity and conviction.
The addition of trombonist Henrik Munkeby Norstebo and trumpeter Thorsten Lavik Larsen on the two "Suggestion"" pieces assists in further enhancing PGA's experimental approach. Both Nørstebø and Larsen employ extended breathing techniques that contribute to the mysterious and chaotic atmosphere of their two pieces.
A highly unique and original sonic journey.
Track Listing
Out of Tune; Pretty Good Alternative; Suggestion; Interference/Picking God Apart; Catalogue; Suggestion II; Ending?; Poor Guy Alone; Poor Guy Alone (Again).
Personnel
Jan Martin Gismervik: drums; Fredrik Luhr Dietrichson: double bass; Henrik Munkeby Nørstebø: trombone (3, 6); Thorsten Lavik Larsen: trumpet (3, 6).
Album information
Title: Corrections | Year Released: 2012 | Record Label: Va Fongool
About PGA
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







