Home » Jazz Articles » Take Five With... » Take Five With Andrea Brachfeld

3

Take Five With Andrea Brachfeld

By

Sign in to view read count
Meet Andrea Brachfeld:
Flutist, composer, arranger, producer, educator, business owner, Andrea Brachfeld, is a graduate of The High School of Music and Art and the Manhattan School of Music. Study with Hubert Laws, Jimmy Heath, George Coleman and Mike Longo helped her develop her own improvisational style.

Her breakthrough performance as the flutist for the popular Latin band Charanga '76 catapulted her into Salsa history and fame as the first female flutist to play this music in the United States. She is the recipient of the Chico O'Farrill Lifetime Achievement Award from Latin Jazz USA, the Women in Salsa Award from Salsation, the "Pionero" Award from Mario Torres Productions and, most recently, the "Tribute to the Charanga Flutes," given by Charanga Legends USA, presented in August of 2012.

She currently leads Phoenix Rising and has five CDs out as a leader. Her latest CD, which is her first straight-ahead jazz CD, Lady of the Island, will be released by ZOHO music in the fall of 2012, featuring Wallace Roney, Wycliffe Gordon and Bill O'Connell.

Instrument(s):
Flute, alto flute, piccolo.

Teachers and/or influences?
Hubert Laws, Frank Wess, Jimmy Heath, Eric Dolphy, John Coltrane, {[Clifford Brown}}, Sonny Stitt, Mike Longo, George Coleman.

I knew I wanted to be a musician when...
I was six years old and played Slaughter, on 10th Ave.

Your sound and approach to music:
My sound comes from fine-tuning my ear to a complete and pure flute sound. My approach is to listen to others as I am playing, listen to the masters from before, and listen to the sounds in my head to compose.

Your teaching approach:
Become focused on what you'd like to accomplish. Listen to the masters about how to achieve those goals. Self-discipline and respect of history and music. Transcribe, listen, transcribe, listen, practice everything in all the keys until you're dreaming it all and can do it in your sleep. Then forget everything, play and breathe life into the moment.

Your dream band:
Russell Malone, Eddie Gomez, Chick Corea, McCoy Tyner, Billy Hart—too many to list—all the real deal players.

Road story: Your best or worst experience:
Naked woman onstage who wouldn't put her clothes back on during the break! Give me a break!

Favorite venue:
None yet.

Your favorite recording in your discography and why?
Prestige Recordings of Trane. Do I have to explain?

The first Jazz album I bought was:
McCoy Tyner, The Real McCoy.

What do you think is the most important thing you are contributing musically?
Pureness of spirit through my music. Inspiration to all.

Did you know...
I am very shy.

CDs you are listening to now:
Prestige Recordings by Trane, Sonny Stitt with Oscar Peterson Trio; Clifford Brown and Max Roach; Charlie Parker, everything; Duke Ellington, early records.

How would you describe the state of jazz today?
Great: Life is what you create!

What are some of the essential requirements to keep jazz alive and growing?
Study and then play the real deal.

What is in the near future?
Release of Lady of the Island on ZOHO Records, featuring Wallace Roney, Wycliffe Gordon, and Bill O'Connell.

What's your greatest fear when you perform?
None.

What song would you like played at your funeral?
I'll let you know when the time is closer.

What is your favorite song to whistle or sing in the shower?
Right now, "Robin's Nest," recorded by Trane with Frank Wess.

By Day:
Music.

If I weren't a jazz musician, I would be a:
non-person.

Photo Credit

Jack Frisch.

< Previous
Riot

Comments

Tags

Concerts


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Jazz article: Take Five with Tap Dancer Petra Haller
Jazz article: Take Five with Pianist Shereen Cheong
Jazz article: Take Five with Saxophonist Nick Stefanacci
Jazz article: Meet Tubist Jim Shearer
Take Five With...
Meet Tubist Jim Shearer

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.