CD/LP/Track Review

Ferenc Nemeth: Triumph (2012)

By
DAN MCCLENAGHAN,
Dan McClenaghan

Dan McClenaghan

Senior Contributor since 2002

A lover of sounds, and the way they fit together.

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Published: September 25, 2012
Ferenc Nemeth: Triumph

A couple of spins of Ferenc Nemeth's Triumph reveals an artist with an ear for the big picture. The Hungarian-born drummer has assembled an all-star jazz quartet and slipped in some subtle woodwind section undercurrents on an all-original outing focused on his personal life experiences, with titles like "Purpose," "Joy" and "Sorrow and Wishful Thinking." On smaller but more focused scale, Triumph's approach is similar to pianist Brad Mehldau's Highway Rider (Nonesuch, 2010)—a thematic set shaped like a symphony, with each piece leading into the next, interlocked and sectioned by interludes.

The music doesn't fall into an easy category. Certainly the tag "chamber jazz" could be applied, but there's a bit more muscle and punch here for that label—a heft supplied mostly by the leader's aggressive, sometimes explosive drumming, but also by saxophonist Joshua Redman, who has never sounded more soulful.

There's also the light touch of pianist Kenny Werner's always complex and cerebral work. His piquant solo on "Purpose" dances with the rumbling bounce of Nemeth's drums, interwoven with guitarist Lionel Loueke's tart notes.

Nemeth's adept use of rhythmic and harmonic layering is at the forefront of the tunes where the reed section kicks in, as on the lush, gorgeous and sweetly mournful "Longing," and the bright "Hope," with a quirky, swirling sound sharply punctuated by Nemeth's snare drum. A deft use of brief interludes also strengthens the set. "Interlude I" features Loueke's shimmering acoustic guitar, giving way to "Purpose"; "Interlude II" is a rollicking duet between Nemeth and Redman that opens up to the ebullient "Joy"; "Interlude III" is a spirited drum solo that sounds like a mad man—with a method to his madness—out in the kitchen makin' noise with the pots and pans; and "Interlude IV" showcases Werner's solemn beauty.

With this extraordinary quartet, the perfectly arranged woodwinds (and an occasional trumpet) and Barbara Togander's wordless, low-in the-mix vocals, Triumph has a lot going on. It takes several listens to take it all in—the beauty, joy, longing and hope of it all—and it's time that is well-rewarded.

Track Listing: Intro; Triumph; Interlude I; Purpose; Interlude II; Joy; Interlude III; Longing; Hope; Interlude IV; Sorrow and Wishful Thinking; Hope II.

Personnel: Joshua Redman: tenor and soprano saxophones; Kenny Werner: piano; Lionel Loueke: guitar, voice; Ferenc Nemeth: drums, percussion; Barbara Togander: voice; Juampi Leone: flute; Carlos Michelini: clarinet; Martin Pantyrer: bass clarinet, baritone saxophone; Richard Nant: trumpet, flugelhorn; Maria Noel Luzardo: bassoon.

Record Label: Dreamers Collective
Style: Modern Jazz

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