Home » Jazz Articles » Album Review » Sam Yahel: Sam Yahel Trio

148

Sam Yahel: Sam Yahel Trio

By

Sign in to view read count
Sam Yahel: Sam Yahel Trio
Following in the wake of the renewed interest in the funky sounds of the Hammond B-3 which was largely initiated by youngster Joey DeFransesco, there have been more and more organists willing to throw their hats in the ring. Arguably, the finest two recently have proven to be Larry Goldings and Sam Yahel. And while DeFransesco has never made it a secret that his main influence has always been Jimmy Smith (check out his new disc, The Champ, which is an outright tribute to the master), Goldings and Yahel specialize more in the harmonically-advanced and cooler approach preferred by such '60s kingpins as Larry Young and "Big" John Patton.

As an apropos addition to Criss Cross Jazz's fine collection of organ dates led by luminary Melvin Rhyne and a few Peter Bernstein sets with Larry Goldings, The Sam Yahel Trio bears the signs of the several years that the orgainst led sessions with guitarist Bernstein at Smalls in New York's Greenwich Village. Then the trio did a Criss Cross side with trumpeter Ryan Kisor (Battle Cry) and it must have been evident to producer Gerry Teekens that the organist was ready for his own maiden voyage.

The trio heard here is one well-oiled machine that benefits greatly from Bernstein's Grant Green-inspired single note runs and Brian Blade's earthy drumming. In fact, those only familiar with the drummer's past work with Josh Redman and recent stint with Joni Mitchell will be surprised by his chameleon- like take on the standard organ trio format. Bernstein's own "Blues for Bulgaria" opens up the proceedings with a laid back feel that sets the tenor for the entire date. In other words, you won't find chunky, funky displays of chops nor will you hear the blues played ad nauseam or hear the customary "ice rink" vibrato set loose on a string of ballads. This music is about group interplay and contemporary structures and harmonies. The instrumentation hasn't dictated the material or approach, instead Yahel and company use their chosen format to explore a rich tapestry of modern sounds. In the end, it all adds up to a highly- appealing mix that never fails to please.

Track Listing

Blues for Bulgaria, Never Will I Marry, The Gambit, A Nightingale Sang in Berkeley Square, Isn't This My Music Around Me?, Gravy Waltz, Short Return, And Then Some (55:15)

Personnel

Sam Yahel
organ, Hammond B3

Sam Yahel- organ, Peter Bernstein- guitar, Brian Blade- drums

Album information

Title: Sam Yahel Trio | Year Released: 1999 | Record Label: Criss Cross


Next >
Reemergence

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.