Marching to a Jazz Tempo
Bobby Watson's performance marked the end of a week-long visit to Albuquerque and Santa Fe sponsored by the Thelonious Monk Institute of Jazz in Los Angeles during which Watson, Henry and their young companions presented a series of clinics and concerts at middle schools and high schools, accompanied by Dr. J.B. Dyas, vice president for education and curriculum development at the Monk Institute. The Institute sponsors a Jazz Combo program at the New World School of the Arts designed to help further the education of Miami's most gifted high school music students. At the Jazzbah, the NWSA quintet opened the program, appropriately enough, with Monk's "I Mean You" and continued with Lee Konitz's "Subconscious-Lee" before introducing Henry who delighted the capacity audience with "Desafinado," Body and Soul" and "Summertime" (the last two accompanied only by bassist Jose Albizu-Campos). Watson, who doubles as director of Jazz Studies at the University of Missouri-Kansas City, closed the first set (I couldn't stay for the second) with three of his own compositions ("Country Cornflakes," "Lemoncello," "ETA") and Duke Ellington's "In a Sentimental Mood," showing clearly why he is one of the country's (and the world's) most celebrated alto saxophonists. Firmly concealing any sign of nerves, the students from NWSA more than held their own, backing Watson and Henry with poise and soloing capably when called upon. Besides Albizu-Campos (age 16), the group consisted of David Leon (18), alto and tenor sax; Harley Basadre (18), guitar; Antonio Madruga (17), piano; and Chris Edwards (18), drums. It was a memorable experience for them, and a splendid treat for those who came to see and hear them perform.