Live Reviews

Cecil’s Big Band with Mike Lee: West Orange, NJ, February 20, 2012

By
BOB KENSELAAR,
Bob Kenselaar

Bob Kenselaar

Senior Contributor since 2012

Bob Kenselaar is former Assistant Curator of the Institute of Jazz Studies, Rutgers University, and has published articles on music in The New Grove Dictionary of Jazz, the Annual Review of Jazz Studies, and The Aquarian Weekly.

Recent articles (29 total)

Published: March 8, 2012

Cecil's Big Band with Mike Lee
Cecil's Jazz Club
West Orange, New Jersey
February 20, 2012

A completely packed crowd at Cecil's Jazz Club on a Monday night—not a common scene—but this was the beginning of the club's final week of operation and the final show for Cecil's Big Band. Led by tenor saxophonist Mike LeeMike Lee Mike Lee
b.1963
sax, tenor
for the last five years, the 17- piece band has played virtually every Monday night over that time, week in and week out. Made up of some of the most talented and accomplished musicians in the New York metropolitan area, the personnel have included veterans who've played with the Vanguard Jazz OrchestraVanguard Jazz Orchestra Vanguard Jazz Orchestra

band/orchestra
, Mingus Big BandMingus Big Band Mingus Big Band

band/orchestra
, and Maria SchneiderMaria Schneider Maria Schneider

band/orchestra
, as well as up-and-comers from the jazz program at William Paterson University and elsewhere. There have been the occasional subs and other comings and goings, but it's clearly been a strong and steady working band, as evidenced by the great camaraderie, superb musicianship, and exciting performances on this last Monday night.

The first set featured the most recent coterie of regular members, and the second set brought in guests who have played with the band over the years. Both were anchored by the solid rhythm section of Brandon McCuneBrandon McCune Brandon McCune
on piano, Chris Berger on bass, and Andy WatsonAndy Watson Andy Watson
on drums.

One particularly notable highlight was "Old Dog," Mike Lee's original composition and arrangement, which featured his inventive explorations and mature artistry on tenor sax, sprinkled with rich, angular lines. Trumpeter Ted ChubbTed Chubb Ted Chubb

trumpet
also turned in a fine solo on the tune and was heard a number of times during the evening. The title of the tune ties in with the name of the quartet co-led by Chubb and Lee, New TricksNew Tricks New Tricks

band/orchestra
, which was formed as an offshoot of the big band.

Also sitting in the sax section was Ed PalermoEd Palermo Ed Palermo

band/orchestra
, a noted big band leader himself. Palermo's contributions to the evening were considerable, laying down an outstanding alto solo on Billy StrayhornBilly Strayhorn Billy Strayhorn
1915 - 1967
piano
's "Bloodcount," and lending his thrilling flagwaver arrangement of Gigi GryceGigi Gryce Gigi Gryce
1927 - 1983
saxophone
's "Minority." The latter tune featured two sparkling, extended alto sax solo cadenzas by Mike Lee's 16-year- old son, Julian Lee. You'd think he was a pro twice his age, the way he deftly circled through bebop lines with occasional funky blues inflections, even venturing into some wilder, outside playing at one point.

Other band members contributed original compositions and arrangements, including trombonist and alto flugelhorn player Scott ReevesScott Reeves Scott Reeves
b.1950
trombone
, tenor saxophonist Jim SaltzmanJim Saltzman Jim Saltzman
b.1977
saxophone
, and lead alto saxophonist Craig YaremkoCraig Yaremko Craig Yaremko
b.1978
saxophone
. One of Yaremko's tunes featured three piano players who've performed with the band over the years, Brandon McCune, Steve MyersonSteve Myerson Steve Myerson
b.1977
piano
, and another young phenom, David Zaks. The three took turns in a round robin series of solos, hopping on and off the bench at the piano that, legend has it, was signed by Herbie HancockHerbie Hancock Herbie Hancock
b.1940
piano
on a visit to the club not long after it opened. There was another high spot before the close of the tune: Chris Berger's flurrying bass solo, strewn with impressive sixteenth-note lines.

Overall, the band's repertoire covered a fair amount of ground, including Antonio Carlos JobimAntonio Carlos Jobim Antonio Carlos Jobim
1927 - 1994
piano
's "Waters of March"; "Say It Over and Over," the Jimmy McHugh tune recorded by John ColtraneJohn Coltrane John Coltrane
1926 - 1967
saxophone
among many others; Frank FosterFrank Foster Frank Foster
1928 - 2011
saxophone
's "Shiny Stockings"; and "Little Pixie," Thad JonesThad Jones Thad Jones
1923 - 1986
trumpet
's romp over rhythm changes, and the evening's rousing opener.

Midway through the evening, Mike Lee expressed his gratitude to club owner Cecil Brooks IIICecil Brooks III Cecil Brooks III
b.1959
drums
, the well-known drummer who founded Cecil's a little over eight years ago, put his heart and soul into it, and built it into "'the spot for jazz in Jersey," as described by the Star- Ledger, the largest-circulating newspaper in the state. Lee didn't mention anything about the band finding a new home. Until they do, he and Chubb are continuing to make appearances in the New York metropolitan area and elsewhere with New Tricks, and we're certain to hear more from the rest of the members of Cecil's Big Band.

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