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CD/LP/Track Review

Ehud Asherie with Harry Allen: Upper West Side (2012)

By Published: February 9, 2012
Ehud Asherie with Harry Allen: Upper West Side The closing track on pianist Ehud Asherie's Modern Life (Posi-Tone, 2010), whether intentional or not, came to serve as musical foreshadowing for this album. Modern Life has Asherie leading a crack quartet through a program of largely lesser-performed gems by cream-of-the-crop composers like George Gershwin
George Gershwin
George Gershwin
1898 - 1937
composer/conductor
, Jerome Kern
Jerome Kern
Jerome Kern
1895 - 1945
arranger
and Tadd Dameron
Tadd Dameron
Tadd Dameron
1917 - 1965
arranger
, but when the album reaches its conclusion the rhythm section is relieved of its duties, while tenor saxophonist Harry Allen
Harry Allen
Harry Allen
b.1966
saxophone
stays onboard for an emotionally riveting two-man take on Billy Strayhorn
Billy Strayhorn
Billy Strayhorn
1915 - 1967
piano
's "A Flower Is A Lovesome Thing." Three months later, this pair would find itself in a Brooklyn recording studio, ready to make more duo magic with the music of Gershwin, Strayhorn and many others.

That music from that session, which would come to be called Upper West Side, sat on the shelves for two-and-a-half years, but it couldn't have been due to a lack of quality. This is Grade A jazz performed by two consummate, classy musicians with an intimate knowledge of this repertoire and each other's mannerisms. They casually work their way through the Frank Sinatra
Frank Sinatra
Frank Sinatra
1915 - 1998
vocalist
-associated "Learnin' The Blues," turning up the heat and grit as they go, deliver playful lines when they visit Brazil (Jayme Silva's "O Pato"), fly through "I Want To Be Happy," and converse via traded solos at various points throughout the album.

While Asherie has shown his (post) bop chops and organ abilities on other albums, he has built his reputation on his skills as a practitioner of the lost piano arts which are on display here. He's often a man out of time, performing in a style that one would sooner associate with the early twentieth century than now, but that's what makes him so special. Allen, who has his own throwback sound that occasionally touches on stylistic hallmarks of early masters like Ben Webster
Ben Webster
Ben Webster
1909 - 1973
sax, tenor
and Coleman Hawkins
Coleman Hawkins
Coleman Hawkins
1904 - 1969
sax, tenor
, is in a similar headspace and, though both men can hold their own in modern digs, it's a pleasure to hear two musicians of this caliber, willing to stop and take a look back.

While the pair finds success on every track, the emotional—and literal—centerpiece of the album comes with another Strayhorn-made musical scenario. Allen is Johnny Hodges
Johnny Hodges
Johnny Hodges
1907 - 1970
sax, alto
to Asherie's Duke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
on "Passion Flower" and despite Allen playing a larger horn he still manages to capture the mood and spirit that surrounded the famous Ellington-associated altoist.

Viewed in its entirety, Upper West Side is a program of delightful duo music that doesn't try to win anybody over with outré ideals, surprise twists or forced displays of showmanship. Allen and Asherie simply play the music, and they do so with clarity, class and charm.


Track Listing: Learnin' The Blues; It Had To Be You; O Pato; Our Love Is Here To Stay; Have You Met Miss Jones?; Passion Flower; I Want To Be Happy; Wrap Your Troubles In Dreams; I'm In The Mood For Love; Love Will Find A Way; My Blue Heaven.

Personnel: Ehud Asherie: piano; Harry Allen: tenor saxophone.

Record Label: Posi-Tone Records



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