Jon Crowley: At the Edge (2011)
Propulsive Fender Rhodes vamps, layered over rock rhythms, dominate the record. A lot of modern players are discovering that rock casts a really wide net: just as jazz has bebop, hard bop, swing, free and more, so, too, does rock have many distinct subsets that create a deep well from which to draw.
At the Edge harkens back to Steve Winwood and Traffic while, at the same time being thoroughly contemporary in its referencing the wonderful indie band, Belle and Sebastian. Crowley's lyrical lines which could be sung by the Decemberists or Radiohead, played over a nearly continuous and very laidback flow, one song meshing seamlessly into the next, providing the perfect soundtrack for a rainy day.
Perhaps it is fusion's harkening back to a specific era of jazz that it has fallen out of favor, but this record encourages a revival of the term in its clear and effective genre fusing. The only thing that muddies the waters is that those genres have become so complex, all these years later, rendering the label inadequateas labels often are. Crowley has released a wonderful example of jazz composition played with a rock sensibility, or vice versa.
Track Listing: In Real Life; Find Me; ...And then one day, it's all over; At the Edge; Remembering the Details; Sadness, Suffering, Hope Triumph; Because You Believe; Progress; Because You Care; Shine; Patience; Fixation; These Four Walls.
Personnel: Jon Crowley: trumpet; Fender Rhodes (7); Jeremy Udden: alto saxophone; Julian Pollack: Fender Rhodes, acoustic piano; Julian Smith: acoustic bass; Ziv Ravitz: drums.
Record Label: Lonely Crow Records
Style: Modern Jazz