William Hooker: Crossing Points (2011)
Hooker is elemental, a roaring undertow full of controlled power. Once again he demonstrates his facility at sustained long form invention, lending the three improvisations the feel of spontaneous composition. In response the saxophonist alternates repeated motifs extended into yapping over-blowing, with slower melodic passages which take on a majestic grandeur as a result of the contrast.
Appropriately perhaps, "The Subway" initially suggests the white noise of an approaching train, until the sound slowly comes into focus as a saxophone drone and continuous drum roll. It's an uncompromising start, but one that sets the template for this set. They don't come up for air until 15 minutes in, when the pressure eases off slightly and Chapin's soaring alto reaches escape velocity to break clear of Hooker's gravitational pull.
An incremental opening to "Addiction to Sound" evinces more open textures with Hooker rhythmically striking a tambourine accompanied by what resembles a trumpeting elephant, but which the liner notes explain as Chapin blowing onto his reed from underneath. The resultant ritual pulse inspires a slow burning reaction from the reed man as their journey continues. Pitched midway between the two previous cuts in terms of density, "The Underground Dead" includes an astonishing passage of vocalized saxophone invective from Chapin, before an attractive elegiac section for somber alto and Hooker's rolling mallet work.
Track Listing: The Subway; Addiction to Sound; The Underground Dead.
Personnel: William Hooker: drums; Thomas Chapin: alto saxophone.
Record Label: No Business Records
Style: Modern Jazz