Jeremy Noller: Music Notes (2011)
The first notable element is the inclusion of the acoustic guitar, ably manned by Jesse Lewis. The natural resonance of the steel strings and wooden body reinforces the earthiness of the instrumental mix. "We Go" is strummed, reminiscent of Pat Metheny's 80/81 (ECM, 1981), and on the title track, the mix of guitar with the gyil creates a hybrid of African melodic percussion and folk picking: a beautiful blend.
Tenor saxophonist Brian VanArdsdale lends the most straight-ahead voice on the album, grounding Music Notes firmly in the jazz tradition. He builds his solo slowly on "On The Is," with a delivery in the best Sonny Rollins calypso tradition; despite the finger-picked guitar intro, "Don't Be Scurred" quickly reveals itself as a solid blues framework for some excellent tenor invention.
Noller is a percussionist with a lot on his mind; he plays the kit, but can't resist incorporating a panoply of unusual percussion instruments. The gyil allows him to add pentatonic melodies to his bag of tricks. Two additional beaters appear periodically on five percussion instruments, augmenting his sound, all blended with great skill. Noller is a tasteful drummer, playing hard where required, but more often than not relying on instrumentation and polyrhythm to get his point across.
If all music bears the stamp of its inspiration then the trick to a performer's success is to take those inspirations and create something new and unique. Noller has succeeded admirably with Music Notes, delivering a very solid debut effort.
Track Listing: We Go; On The Is; Soliba; Dawe; Percussion Interlude; Don't be Scurred; Music Notes; Small Arms; Speak No Evil.
Personnel: Jeremy Noller: drum set, gyil (7); Dan Loomis: bass; Jesse Lewis: acoustic guitar; Brian VanArsdale: tenor saxophone; Sam Bathrick: Shekere (1, 5), gome (5, 7); Mangue Sylla: djembe (1), sangban (5).
Record Label: Self Produced
Style: African Jazz