Jeremy Noller: Music Notes (2011)
The nine pieces interweave folkloric melodies and popular music with the fragrance of performers such Angelique Kidjo and jazz guitarist Lionel Loueke. What makes Noller's debut equally impressive are not just his percussion skills, but his knowledge of the music and the spirit that's articulated by his talented band: the idiomatic expression of the acoustic guitar, performed superbly by Jesse Lewis; the saxophone's phrasing, never overplayed, by Brian VanArsdale; and the underpinning jazz rhythms by Noller and The Wee Trio bassist Dan Loomis, which form the foundation. Add enticing percussion and danceable melodies, and this is music that quickens the senses.
Lewis' incisive plucks and chords usher in "We Go," which includes a percussion jamwith Noller, Sam Bathric on shekere, and Mangue Sylla on djembethat is later stated more intensely in "Percussion Interlude." VanArsdale's tenor has a deceptive muffled quality that livens with soulful fire in "On The Is" and "Dawe," while Loomis offers a deep solo in "Soliba." In each case, the musicians communicate the beauty of West Africa.
A blues stands proud in "Don't be Scurred," where VanArsdale's parched horn speaks of Thelonious Monk's longtime saxophonist Charlie Rouse, and jazz swings true in Noller's remake of the title track to Wayne Shorter's Speak No Evil (Blue Note, 1967). The band cooks it; a fine way to conclude the set with its "straight, no chaser" kind of swagger. But it's no surprise because Noller is a true jazz manwhether by way of Libertyville, the music of West Africa, or the spirit of 52nd street.
Track Listing: We Go; On The Is; Soliba; Dawe; Percussion Interlude; Don't Be Scurred; Music Notes; Small Arms; Speak No Evil.
Personnel: Jeremy Noller: drums, gyil (7); Dan Loomis: acoustic bass; Jesse Lewis: acoustic guitar; Brian VanArsdale: tenor saxophone; Sam Bathrick: shekere (1, 7), gome (5, 7); Mangue Sylla: djembe (1), sangban (5).
Record Label: Self Produced
Style: African Jazz