CD/LP/Track Review

Arrive: There Was... (2011)

By
MARK CORROTO,
Mark Corroto

Mark Corroto

Senior Contributor since 1999

Mark misses his large dog Louie, but endeavors daily to find and listen to new and interesting sounds.

Recent articles (1,009 total)

Published: May 23, 2011
Arrive: There Was...

It is astonishing to consider just how many differing ensembles in which a modern jazz musician might participate. Take, for instance, the players heard in alto saxophonist Aram SheltonAram Shelton Aram Shelton
b.1976
saxophone
's Arrive. Besides his own band Rolldown, vibraphonist Jason AdasiewiczJason Adasiewicz Jason Adasiewicz

vibraphone
can be heard in seven other bands, including those of Rob MazurekRob Mazurek Rob Mazurek
b.1965
cornet
, Mike ReedMike Reed Mike Reed

drums
, and Nicole MitchellNicole Mitchell Nicole Mitchell
b.1967
flute
. Likewise, Tim Daisy (Ken VandermarkKen Vandermark Ken Vandermark
b.1964
saxophone
's favorite drummer) lists thirteen active bands, and bassist Jason RoebkeJason Roebke Jason Roebke
, a half dozen. For his part, Shelton (who splits his time between Oakland and Chicago) lists another dozen bands, include the West coast groups Cylinder, Ton Trio, and Marches, and, from Chicago, the Fast Citizens, Rolldown, his Quartet, and the band heard here.

Formed in 2001, Arrive builds upon the band Dragons 1976, a piano-less trio Shelton and Daisy created with bassist Jason AjemianJason Ajemian Jason Ajemian
. Where Dragons 1976 mined the message of Ornette ColemanOrnette Coleman Ornette Coleman
b.1930
sax, alto
, Arrive plies a post-Coleman world, with Bobby HutchersonBobby Hutcherson Bobby Hutcherson
b.1941
vibraphone
's Dialogue (Blue Note, 1965) offering a reference point.

The inclusion of Adasiewicz's vibraphone adds both a second percussionist and a chordal instrument. His literally striking performance elevates Shelton's compositions, focusing the music on both melody and physicality. The pulse applied by bass and drums can sometimes be ignored, but Adasiewicz's vibraphone on the title track pushes Roebke and Daisy to the forefront, emphasizing that pulse. As a working band, Arrive maintains a tight rein on the compositions. "Cradle" begins as an odd-timed waltz that evolves into a delicious 4/4 groove; the Same goes for "Frosted," Shelton introducing this restrained and quiet piece, before giving way to some interplay between Adasiewicz and Daisy. Elsewhere, Roebke's bass fuels "Lost," before stepping into a gnarled solo and silence, the band bringing him back into the intricately woven song.

Where this disc shines is not in the soloing but the melodies and orchestrated group interplay. Shelton's composing, and his sense of space in choosing musicians who play well together is a gift. This combination might be the best coalition of Chicago artists working today.

Track Listing: There Was...; Cradle; Lost; Fifteen; Frosted; Golden.

Personnel: Aram Shelton: alto saxophone; Jason Adasiewicz: vibraphone; Jason Roebke: double-bass; Tim Daisy: drums.

Record Label: Clean Feed Records

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