Are You Sure, Bobby?
Bobby was in Florida for a "tribute" to Chet Baker" with John Proulx, a pianist from Los Angeles whose voice approximates Chet's. They'd presented a similar concert a year or two ago in nearby Corrales. Proulx handles the vocals while Bobby emulates Baker's laid-back trumpet style. They were accompanied in West Palm by a group that included drummer Danny Gottlieb, bassist Dave Clark, guitarist Jason Ennis and tenor saxophonist Fred Haas.
Speaking of Bobby Shew . . .
He'll be in Los Angeles in late May, 2011 to take part in the Los Angeles Jazz Institute's "Big Band Olympics," performing as part of the Toshiko Akiyoshi-Lew Tabackin Big Band's West Coast Reunion and in an International Trumpet Summit with Dusko Goykovich, Guido Basso and Valery Ponomarev. The Olympics, "celebrating the big band sound from around the world," is to be held May 26-29 at the Los Angeles Airport Marriott Hotel. Other bands set to appear include those led by Goykovich, Ponomarev, Arturo Sandoval, Rob Pronk, Tommy Vig, Chris Walden, John Altman, Christian Jacob, Tim Davies and the incomparable Bill Holman. Also slated are tributes to the Clarke-Boland Big Band (by the Cal State-Long Beach Concert Jazz Orchestra) and Rob McConnell's Boss Brass (with alumni including Basso, Terry Clarke, Don Thompson and Ian McDougall), plus concerts by the Collegiate Neophonic Orchestra of Southern California, the Los Angeles Society Big Band and the Jazz Kidz from Montreal, Canada. That's in addition to the usual films, panel discussions and a special presentation by Ken Poston, "Howard Lucraft and Stan Kenton's Jazz International." For more information, go online to www.lajazzinstitute.org or phone 562-200-5477.
Out and About
Only one straight-ahead concert was held locally in March, but it was a good one. The Arlen AsherPaul Gonzales Quintet played two delightful sets March 17 at The Outpost Performance Space. Gonzales, who has known the 81-year-old Asher since he was a first-grade student in Albuquerque and Asher brought some instruments to his wife's class for "show and tell" (Gonzales chose to "audition" on baritone sax), played trumpet and flugelhorn, while Asher, a master of every reed and wind instrument, brought only his soprano, alto and tenor saxophones and flute. The front-liners were ably backed by pianist Brian Bennett, bassist Michael Glynn and drummer John Trentacosta (Asher's co-host on a weekly Jazz program in Santa Fe). The quintet played mostly standards with a few originals by Gonzales inserted to keep the sellout audience engaged. A good time was had by all.
Two More Giants Are Gone