Nick Mazzarella Trio: Aviary (2011)

Mark Corroto

Senior Contributor since 1999

Mark misses his large dog Louie, but endeavors daily to find and listen to new and interesting sounds.

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Published: February 17, 2011

Saxophonist Nick Mazzarella keeps things neat and succinct on this shortish (30 minute) introductory release. Although compact, this release is quite loquacious and, perhaps, a presage of great things to come.

All six compositions were penned by Mazzarella, and harken back to the early 1960s, and the rise of Ornette Coleman Ornette Coleman
b.1930
sax, alto and Eric Dolphy Eric Dolphy
1928 - 1964
reeds . Mazzarella, a twenty-something DePaul University graduate and Chicago resident, is a member of Green And Gold, a band dedicated to Ornette's early offsprings, Sonny Simmons Sonny Simmons
b.1933
sax, alto and Prince Lasha Prince Lasha
1929 - 2008
sax, alto . That early-Coleman/Simmons/Lasha sound is also heard here.

Together with bassist Anton Hatwich Anton Hatwich
(a member of Josh Berman Josh Berman
's Old Idea, Aram Shelton Aram Shelton
b.1976
saxophone , and the Rempis Percussion Quartet) and drummer Frank Rosaly Frank Rosaly
b.1974
drums (also featured with Jeb Bishop Jeb Bishop
Trio, Scorch Trio Scorch Trio
, and Jason Adasiewicz Jason Adasiewicz

vibraphone 's Rolldown), Mazzarella maneuvers these chordless tracks with uncomplicated ease. His alto pokes and jabs through "Eternal Return," fluttering notes over Rosaly's brush work while harmonizing with Hatwich's bass. This unpretentious and primal search for melody, perhaps scandalous 50 years ago, is renewed here. Mazzarella rekindles the child's song as building block for the new thing on "Pescador." The playful dance the trio summons displays how infectious and danceable the avant-garde once was. Same for the slippery "Aviary," with Hatwich mimicking the glassy slope with an all-in solo that dances along with the saxophonist.