CD/LP/Track Review

Robert Hurst: Bob Ya Head (2011)

By
MARK F. TURNER,
Mark F. Turner

Mark F. Turner

Senior Contributor since 2001

Considering himself a modern day 'Jazz Explorer' Mark continues to discover new and exciting music territories.

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Published: February 16, 2011
Robert Hurst: Bob Ya Head

With a spirit of optimism and new direction, veteran bassist Robert Hurst returns with two simultaneous releases on his Bebob recording label, that further expound on his leadership. The first, Unrehurst Vol. 2 , is an all-acoustic date with drummer Chris Dave and firebrand pianist Robert GlasperRobert Glasper Robert Glasper
b.1978
piano
, recorded live in 2007 at the Smoke in New York City.

An educator, composer and bandleader, Hurst's accolades also include directing, arranging and composing for The Tonight Show, with Jay Leno; Emmy- and Grammy-winning works in film soundtracks such as Ocean's Eleven, and recordings with Charles LloydCharles Lloyd Charles Lloyd
b.1938
saxophone
, StingSting Sting
, and Diana KrallDiana Krall Diana Krall
b.1964
piano
. With Bob Ya Head , Hurst has a few new tricks up his sleeves, shifting directions and pleasantly surprising via some eclectic and electronic artistry. While Unrehurst is a riveting unrehearsed swing-fest, Bob Ya Head is studio-intensive, equally persuasive, and even more engaging.

The release balances technical wizardry with Afro-centric and urban themes. Hurst's commanding upright resonates in "Obama Victory Dance," directing its energy to the lively "Optimism"'s hint of things to come—a joyful chorus of childrens' voices, electronic keyboards, and Hurst switching to pizzicato bass. The sampled speech by Civil Rights leader Malcolm X is effective in the improvised groove of "X Static" and the intermingled (processed and real) voices in the hip-hopped vibe of "Da, Da, Da, Dah." In each track, the music is an outlet for musicians and technology to creatively coexist.

As strong as Hurst is, this is by no means a singular effort, as Darryl "Munyungo" Jackson's percussion creates an infectious tempo in "Munyungo In Da Jungle." Saxophonist Vincent Bowens and veteran progressive keyboardist Scott KinseyScott Kinsey Scott Kinsey

keyboard
trade fiercely in the India-vocal percussive "Oral Roberto," and Bowens, trumpeter Marcus BelgraveMarcus Belgrave Marcus Belgrave
b.1936
trumpet
and drummer Karriem RigginsKarriem Riggins Karriem Riggins
b.1975
drums
ignite "Alice and John," a hypnotic track dedicated to Alice ColtraneAlice Coltrane Alice Coltrane
1937 - 2007
piano
and John ColtraneJohn Coltrane John Coltrane
1926 - 1967
saxophone
, donned with screeching horns and a bass loop of octaves and bowed strings.

Like Miles DavisMiles Davis Miles Davis
1926 - 1991
trumpet
's illustrious and at times criticized career, and other forward-thinking artists, Robert Hurst continue to affirm that jazz is not static; but a moving, living and evolving entity of self expression which can provide food for thought and the ability to dance in this appropriately titled release.

Track Listing: Obama Victory Dance; Optimism; X Static; Comes You Comes Love (Intro); Comes You Comes Love; Forty Four; Da, Da, Da, Dah; Munyungo In Da Jungle (Intro); Munyungo In Da Jungle; Oral Roberto; Alice and John; Unintelectual Property; When Drums Stop.

Personnel: Robert Hurst: acoustic and electric basses; Darryl "Munyungo" Jackson: percussion; Sy Smith: vocals; Vincent Bowens: tenor saxophonist; Scott Kinsey: keyboards; Marcus Belgrave: trumpet; Karriem Riggins: drums.

Record Label: Bebob Records

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