Home » Jazz Articles » Album Review » Patty Cronheim: Days Like These

Patty Cronheim: Days Like These

By C. Michael Bailey
January 24, 2011
Sign in to view read count

Track review of "Superstition"

Livia Devereux's Night Winds Whisper (Self Produced, 2010) sported a very jazzy "Walking After Midnight" , proving that well-written music can survive in any genre climate. Patty Cronheim proves the same on Days Like These, a disc also populated with lesser-known standards and forays outside of the typical jazz realm.

Stevie Wonder's "Superstition" is given a smooth, hard bop treatment in place of its original funk-inspired strut. Cronheim's silky low alto divines the supernatural essence of the song. Greg Wall's tenor saxophone and Clifford Adams' trombone recall the plush sound of The Jazz Messengers circa 1961, employing trombonist Curtis Fuller and tenor saxophonist Wayne Shorter. Cronheim transcends mere blues to cast this popular song in a firm "Moondance" vibe; with its walking bass and intricate horn filigree, it's clear that Cronheim has been listening to a lot of Van Morrison.

Personnel

Patty Cronheim

vocals

Patty Cronheim: vocals; Aaron Weiman: piano and Rhodes; Brian Glassman: bass; Corey Rawls: drums; Greg Wall: tenor and soprano sax; Clifford Adams: trombone.

Album information

Title: Days Like These | Year Released: 2011 | Record Label: Say So Records

< Previous
Blissful Ignorance

Next >
Dave Stryker Organ Quartet at Cecil's...

Comments

About Patty Cronheim

Instrument: Vocals

Tags

For the Love of Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help

To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.