Led Bib: It's Not Lady Gaga
Holub, pictured below right, is a native of New Jersey who moved to England to study, gaining his Bachelor's degree at Leeds College of Music and then his Masters at Middlesex University. Basing himself in London, he formed Led Bib in 2003. The lineup that has featured on all of the band's recordings was established soon after that: Holub is joined in the rhythm section by bassist Liran Donin; Toby McLaren plays keyboards, Fender Rhodes in particular; and the front line features the twin alto saxophones of Pete Grogan and Chris Williams.
That platform extended to television, a medium that is rarely open to British jazz bands. Holub recognizes the impact of TV, especially in terms of audience numbers: "It's striking just what a difference being on television makes. You can be on Radio 3 [BBC Radio's specialist music station, which is mainly devoted to classical music but also hosts jazz shows] so many times, and it's great, but it is still that specialist audience. Three minutes on television and you immediately sell a couple of thousand CDs more."
The "Mercury Effect," if that's what it could be called, still works in Led Bib's favor two years on, with the band's profile continuing to benefit from the exposure. But Holub is realistic about what that means for a band from a minority-interest genre: "We're still jazzers; we're not selling millions."
Holub's use of the word "jazzers" makes his feelings about Led Bib's musical standpoint clear, but it's an intriguing contrast to the adjectives applied by many critics and reviewers, who seem to have struggled to pigeonhole the group. It's been variously described as "punk jazz," like Test Department or Velvet Underground, free improvisation, and avant-garde. So how does Holub feel about these descriptions? "Well, I think there are lots of different influences, but it does become a sticky question. Some people are rather quick to throw away the jazz title, to say we sound like Radiohead or whatever. But in my gut, I don't feel that way. I feel that what Led Bib does is jazz. Jazz is something that's continually evolving, taking on outside influences. But then you tell people who don't listen to a lot of jazz that this is what Led Bib plays and they have this clear idea that we'll sound like '40s or '50s bebopand we're not that. But we have become rockier, I guess, especially Bring Your Own. But we're also more confident in what we feel is right musically."
As Holub discusses this confidence, it becomes obvious that to him confidence does not simply equal a decision to play music that is more complex. Confidence, for Holub, is refreshingly linked to the idea of playing more simply: "We can trust our judgment: instead of thinking, 'I have to play some clever jazz thing here,' just play what you think sounds good. I think that's a problem with contemporary jazz, big time. ... You should always be serving the music, but sometimes it can become a bit too clevermaybe because everybody goes to university now."
Holub is willing and happy to embrace rock and jazz, as a fan as well as a playerjust prior to this interview he had discovered John Cale's Paris, 1919 (Reprise, 1973)but an oft-cited early influence on him was John Zorn. "I listen to a lot of stuff and feel that everything is an influence in some way. When I started this band, Zorn loomed large for me, but over time that's changed. I was impressed with his output and his spirit ... his ability to make something of the downtown New York scene."
Led Bib: Toby McLaren, Pete Grogan, Mark Holub, Chris Williams, Liran Donin