Noah Preminger: Before The Rain (2010)

Mark Corroto

Senior Contributor since 1999

Mark misses his large dog Louie, but endeavors daily to find and listen to new and interesting sounds.

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Published: December 30, 2010

How do you follow up one of the finest debut jazz albums of the new millennium? For saxophonist Noah Preminger, you pair down the sextet heard on Dry Bridge Road (Nowt Records, 2008) and display more of your own sound.

The twenty-something saxophonist returns with bassist John Hébert John Hébert

bass and pianist Frank Kimbrough Frank Kimbrough
b.1956
piano on his Palmetto Records debut, Before The Rain (maybe a play on John Coltrane John Coltrane
1926 - 1967
saxophone 's "After The Rain"), along with everyone's favorite drummer, Matt Wilson Matt Wilson
b.1964
drums . The quartet gambles the entire session here, playing mostly patient ballad, but with such strong players the risk pays off, with a rich sound and drop-dead gorgeous music.

The disc opens with Rodgers and Hart's "Where Or When," from the 1937 musical Babes In Arms. Although the track has been covered by everyone from Duke Ellington Duke Ellington
1899 - 1974
piano to Dean Martin Dean Martin

vocal , Preminger possesses it with his gentle breathy tone, played over Kimbrough's simple accompaniment. What the young saxophonist accomplishes in the short 2:19 song is the work of a lifetime. There are bits of Coltrane and parts of Stan Getz Stan Getz
1927 - 1991
sax, tenor , along with slices of Dewey Redman Dewey Redman
b.1931
sax, tenor . That Redman connection is also heard on Kimbrough's tribute to the departed saxophonist, "The Quickening," with Wilson (a former Redman band member) dancing around the melody as all the players take smart yet economical solos.

The band continues the same logic, following Redman back to the Ornette Coleman Ornette Coleman
b.1930
sax, alto tribute band, Old and New Dreams Old and New Dreams
, and Coleman's composition "Toy Dance." The quartet opens up the framework here, allowing the saxophonist to improvise in his upper register with an unconcerned playfulness. Kimbrough, a longtime Coleman interpreter, catches that same spirit skip dancing a response. This band maintains that joyfulness on "K," a piece that finds Hébert and Wilson working in different time signatures, as Preminger and Kimbrough carry the melody. Impressive stuff, here.