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Take Five With...

Take Five With David White

Take Five With David White
By Published: December 10, 2010
Meet David White:

Trombonist/composer/arranger David White is a highly versatile musician who is building a strong reputation in the New York jazz scene. Since arriving in New York in 1999, he has performed frequently throughout the area and has shared the stage with such luminaries as Jon Faddis
Jon Faddis
Jon Faddis
b.1953
trumpet
, Slide Hampton
Slide Hampton
Slide Hampton
b.1932
trombone
, James Weidman
James Weidman
James Weidman
b.1953
piano
, Frank Lowe
Frank Lowe
Frank Lowe
1943 - 2003
sax, tenor
, Todd Coolman, Junior Mance
Junior Mance
Junior Mance
b.1928
piano
and Valery Ponomarev
Valery Ponomarev
Valery Ponomarev
b.1943
trumpet
.

Instrument(s):

Trombone, composition.

Teachers and/or influences? I'm an instrumentalist, but I've been influenced more by vocal music than anything else. I'm inspired by vocalists such as Shirley Horn
Shirley Horn
Shirley Horn
1934 - 2005
piano
, Al Green
Al Green
Al Green
b.1946
vocalist
, Prince, Shirley Caesar, Roberta Flack, Mary J. Blige, Erykah Badu and Marvin Gaye. When I listen to someone like Al Green, I picture myself playing and hearing that sound coming out of my horn. I want to have that type of expression in my music.

I knew I wanted to be a musician when... I remember the exact moment: It was a Saturday morning. I was sixteen years old. I was in the music section of the Buffalo Public Library Downtown Branch. I was holding a book that had a brown cover and a picture of a trumpet on it. I was talking to my friend Eric Biondo about applying to colleges. Then, in a moment of clarity, I realized that I wanted to devote my life to music. It was like meeting the love of your life for the first time and realizing that you never wanted to be apart from them ever again because you can't possibly imagine a future without them in it. That's how I feel about music.

Your sound and approach to music: As a trombonist, I want my sound to be a reflection of the deepest and truest part of me. I strive to have the purest sound possible. Then I take that sound and imbue it with all the feeling gained from my experiences as a person. I use this to energize my sound. I want to set each note on fire.

As a composer, I strive to create music that is nurturing and feeds your spirit. When you listen to my music I want you to feel as though you're having an honest conversation with a close friend. I want your life to be enriched by the experience.

Your teaching approach: I'm very hard on students especially in regard to using proper technique. I'm a stickler for good posture and breath support. I always use a metronome during lessons. If you make a mistake you have to do it again.

And again. And once more to prove that playing it correctly wasn't a fluke. It's not to be mean; it's just that I feel that sloppiness cannot be turned on and off. If you're sloppy in your lesson, you'll be sloppy on stage. You have to have control over your instrument in order to fully express what's in your heart. This is the approach Jim Pugh
Jim Pugh
Jim Pugh
b.1950
trombone
used in my trombone lessons at Purchase College and I've found it effective to emulate him.

Your dream band:

My dream band is my own, the David White Jazz Orchestra. I love that band. It's the culmination of life's work as a musician and the experiences I've had in creating and developing it have helped me to grow as a person more than I could have ever imagined.

Historically speaking, I would love to have played in Duke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
's band. Aside from the amazing music, there are a lot of questions I would like to ask Duke about life and making your way in the world.

Favorite venue:

My favorite venue is Vanderveer Park United Methodist Church in Brooklyn, NY. I've played three concerts there for their annual jazz night. Although I'm not a member of the congregation they treated me very warmly. Of all the audiences I've played for, they are among the most appreciative and attentive.

The first Jazz album I bought was: Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
, Doo Bop. When I was 12 my mother bought me a Charlie Parker
Charlie Parker
Charlie Parker
1920 - 1955
sax, alto
CD for Christmas. Prior to that, I had not listened to much jazz at all. A few days later, I went into Doris Records in Buffalo, NY and I asked them if they had any other jazz records. They said, "we have two," and they showed me a Dave Valentin
Dave Valentin
Dave Valentin
b.1952
flute
tape and a Miles Davis tape. I chose the Miles Davis. There was a picture of Miles playing a red trumpet on the cover and I think something about that appealed to my 12 year-old mind.

What do you think is the most important thing you are contributing musically? My music is autobiographical and very personal. Even though I don't use lyrics, I hope that people can relate to the feelings I'm expressing. When someone listens to my music I want them to feel as though they're not alone in the world.

CDs you are listening to now:

Gerald Wilson
Gerald Wilson
Gerald Wilson
b.1918
composer/conductor
Orchestra, Detroit (Mack Avenue);

Wynton Marsalis
Wynton Marsalis
Wynton Marsalis
b.1961
trumpet
, Black Codes (From the Underground) (Sony);

Talking Heads, Stop Making Sense (Sire);

Supreme Beings of Leisure, 11i (Rykodisc);

Erykah Badu, Worldwide Underground (Motown).

Desert Island picks:

London Symphony Orchestra, Gustav Holst: The Planets (Delta);

Miles Davis, Aura (Sony);


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