CD/LP/Track Review

Danielle Eva: Road and Moon (2010)

By
C. MICHAEL BAILEY,
C. Michael Bailey

C. Michael Bailey

Senior Contributor since 1997

...wants to know if Gene Harris is playing "Summertime" in Heaven...

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Published: November 7, 2010
Danielle Eva: Road and Moon Track review of "He's Gone Away/Willow Weep For Me"

Danielle Eva emerges a fully formed jazz vocalist on her debut, Road and Moon (Devour Music, 2010). She has assimilated the influences of the finest jazz vocal talent of the last 20 years: Cassandra WilsonCassandra Wilson Cassandra Wilson
b.1955
vocal
, Cheryl BentyneCheryl Bentyne Cheryl Bentyne
b.1954
vocal
, Tierney SuttonTierney Sutton Tierney Sutton
b.1963
vocal
, Karrin AllysonKarrin Allyson Karrin Allyson

vocal
, and nominally, Norah JonesNorah Jones Norah Jones
b.1979
piano
. Drawing equally from Wilson's organic approach, Allyson's timbre-perfect pitch, and Jones' country sensibility, Eva crafts a diverse collection of songs that densely demonstrate her elastic and adaptable talent. Rarely have artists like Joni MitchellJoni Mitchell Joni Mitchell
b.1943
vocal
("Both Sides Now"), Freddie HubbardFreddie Hubbard Freddie Hubbard
1938 - 2008
trumpet
("Little Sunflower") and Laura Nyro ("And When I Die") coexisted so peacefully in the same sonic space.

Road and Moon sports several fine pieces, but Eva's treatment of the traditional "He's Gone Away," melded with Ann Ronell's "Willow Weep For Me," demonstrates the creative evolution, from Cassandra Wilson's earthy approach in the 1990s to Laurie AntonioliLaurie Antonioli Laurie Antonioli

vocal
's embrace of Americana on American Dreams (Intrinsic Music, 2010), as informed by the Western Swing inclinations of Lawrence Lebo and Retta Christie. Eva sings "He's Gone Away" a capella, revealing a soulful voice years beyond her youth. She affects just enough Southern slur to complement the song's rustic origin.

"He's Gone Away" dissolves into a wooden "Willow Weep for Me," buffeted by Chuck Underwood's acoustic and slide guitars, Gavin Fallow's upright bass and Bob Spate's fiddle. This 1932 pop song becomes a gentle Western ballad by instrumentation and vocal approach. Eva transfers the literal longing of "He's Gone Away" into the metaphorical plight of the weeping willow. Underwood's slide accompaniment and Spate's fiddle solo add to the piece's authenticity. This voice is a new and potent force set to turn jazz vocals on its ear.

Personnel: Danielle Eva: vocals; Lenny Robinson: percussion; Gavin Fallow: upright bass; Chuck Underwood: guitars; Bob Spates: violin.

Record Label: Devour Music
Style: Vocal

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