Jeremy Monteiro Big Band: Grand Ballroom, Ritz Carlton, Singapore
Grand Ballroom, Ritz Carlton
July 30, 2010
Since '77 pianist/composer Jeremy Monteiro has helped to place Singapore on the map through his role as a jazz ambassador. To celebrate his fiftieth birthday Monteiro assembled his seventeen-piece big band joined by a number of special guests and led a swinging performance in front of a packed ballroom at the Ritz Carlton Hotel. The lavish event was part of the ongoing fund-raising efforts of Community Chest which supports 72 charities throughout Singapore. Specifically, Community Chest supports critical social service programmes which help children with special needs, people with disabilities, disadvantaged elderly and families facing difficulties. In all, the essential funding which Community Chest raises benefits 320,000 people in the community and helps them live more independent and dignified lives. The Singapore business community turned out in numbers to support the event and the evening was marked by the presence of His Excellency S.R. Nathan, President of the Republic of Singapore.
Beginning with "Blues for the Saxophone Club," one of six compositions arranged by Tom Kubis, Monteiro's nostalgic piano intro paved the way for the full ensemble to roar in. The rhythm section of drummer Tama Goh, bassist Brian Benson, guitarist Andrew Lim and percussionist Mohamed Noor did a splendid job throughout the evening with their tight support work and rhythmic intensity, and Noor brought lovely Latin, Afro-Caribbean and Indian colors to the arrangements. Short solos introduced the band, with the talented Lim shining brightly in such a short space. Kubis's tight arrangements meant that strong section playing lifted the soloists, punctuating and highlighting their efforts.
Something of an accomplished singer himself, Monteiro opted to leave the vocal numbers to his special guests, each of whom brought their individual styles to the stage. Rani Singham, a singer in the classic tradition, brought vigor to Monteiro's "Swing with Me" and color to the stage with a stunning red dress fashioned from a sari. Her voice has real power and she hit the big notes with assurance and swagger.
The stage was then graced with the presence of Rahimah Rahim, Singapore's first lady of swing. Her first recording was back in '72 and she was the first singer Monteiro worked with when the pianist was not yet 17. "L.O.V.E" by Gabler & Kaepfert with brassy, swinging arrangement by David Packer saw Rahim in fine voice. There was a bottle of '66 Chateau Latour Bordeaux up for charity auction with a starting price of $5,000 and although both the Latour and Rahim are of a similar vintage most of the audience were delighted to simply indulge themselves with the singer's voice which has matured well over the years. For jazz lovers it's nice to know that Rahim will also outlast the Latour. What price a vintage voice?
The evening's other vocal number was sung by Monteiro's sister, singer/songwriter Claressa Monteiro, whose Now and Then (Universal Music, 2002) was the first worldwide release by Universal Music of a South East Asian artist. The pretty "Carousel Farewell" was composed by Claressa Monteiro and husband/bassist Brian Benson and had the hallmarks of a classicmelodically memorable and tinged with the blues. Kubis arrangement was again notable for the shades and drama which served to frame Monteiro's nuanced delivery to great advantage.
Between songs two screens either side of the stage displayed photos and well-edited video montage of Monteiro through the years and birthday greeting were relayed by family and friends. An impressive list of familiar faces of some of the many musicians Monteiro has performed and recorded with over the years sprung up: James Moody, Randy Brecker, Paulinho DaCosta, Toots Thielemans, Charlie Haden, Bobby McFerrin, Eldee Young and Redd Holt. Another familiar face who appeared on the screen, though also in the flesh on the evening, was veteran saxophonist Ernie Watts. Watts performing/writing association with Monteiro stretches back over twenty years and on two co-written numbers he reminded all present that pound for pound he remains one of the greatest of tenor saxophonists.