William Ellis: Music On A Chink Of Light
"I reach a state of mind, a point at which I know that I can make an image and convey what is happening. When I'm in that state of mind, it's a very serious state of mind. It's a very intense thing. You have to have that edge in whatever field you're in. You've got to deliver, and you're delivering to yourself, in many respects. I won't be deflected. It's an intensely personal thing. I'm creating a body of workthat's what I'm about."
Without a doubt, the drive, focus and determination to succeed that emanate from Ellis have been the major factors behind his already impressive body of work. It is a body of work that suggests that Ellis can already be considered as one of the most significant of contemporary jazz photographers.
"Some people might think that jazz photography has been done. What I do is for now and as time passes all things are viewed in a different context, but if you think about Louis Armstrongdid they break all the trumpets after Louis? No. Then there was Roy [Eldridge], and then Dizzy [Gillespie] came and then Miles, and Terence [Blanchard], and another Roysomebody else picks it up in their time, and the band plays on."
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