Jacam Manricks: Trigonometry (2010)

Bruce Lindsay

CD/DVD Reviewer since 2008

Bruce is the author of the blog Delicious Hot Disgusting Cold, and the photoseries "It's Not How It Sounds".

Recent articles (505 total)

Published: July 1, 2010

Jacám Manricks is a rich-toned saxophonist and composer with a growing body of original tunes—Trigonometry appears hot on the heels of the self-released Labyrinth (Manricks Music Records, 2009). The New York based musician has allied himself to a strong ensemble of players who happily take on the challenge of Manricks' compositions and invest them with some terrifically enthusiastic playing. The result is a bop-inspired album that can readily surprise and delight.

The album begins emphatically on "Trigonometry" with the drums of Obed Calvaire Obed Calvaire

drums , followed soon after by Gary Versace Gary Versace

organ, Hammond B3 on piano and Joe Martin Joe Martin
b.1970
bass, acoustic on bass. It's a fitting opening as these three players are uniformly excellent throughout—Calvaire in particular displays invention but also a great ability to interact with the front line.

"Cluster Funk" is indeed funky, with Versace's chunky piano chords and tight ensemble playing from the horn section, including trombonist Alan Ferber Alan Ferber

trombone , driving the tune along with suitable urgency into a strong, slightly frenetic, solo from guest trumpeter Scott Wendholt Scott Wendholt
b.1965
trumpet . In contrast, "Mood Swing" is a more contemplative and slightly mysterious tune that features atmospheric solos from Versace and Manricks while "Labyrinth" finds the album's core quartet delivering a more complex tune with some inventive variations in rhythm and tempo. "Micro Gravity" has the most improvised feel of any of the tunes here—a flowing, reflective, piece that showcases Manricks and the rhythm section at their most innovative.

Eric Dolphy Eric Dolphy
1928 - 1964
reeds 's "Miss Ann" is the album's only non-original tune. Manricks, Martin and Calvaire show their strength as a trio on this tune—Manricks' sax playing is exceptional here, as is the interplay between Manricks and Calvaire which is held together by Martin's rock solid bass before he gets the chance to take his own solo. It's an excellent choice for the album—Manricks' fine arrangement is beautifully played and blends well with his own original compositions. Trigonometry establishes Manricks as a writer and player of note.