Jason Moran: Ten (2010)

David Adler

Columnist since 1999

Recent articles (311 total)

Published: June 12, 2010

Pianist Jason Moran offers Ten, to mark a decade with the Bandwagon, his trio with bassist Tarus Mateen and drummer Nasheet Waits Nasheet Waits

drums , and it's an anniversary worth celebrating. But Ten is also Moran's first release since Artist In Residence (Blue Note, 2006), so it affords him the opportunity to include pieces from long-form commissioned works he's written since then. The loping, gospel-tinged "Blue Blocks" is from a multimedia suite inspired by the quilt makers of Gee's Bend, Alabama. "RFK in the Land of Apartheid," ominous and grooving, is from Moran's score to a film of the same name. "Feedback Pt. 2" was commissioned by the Monterey Jazz Festival and inspired by Jimi Hendrix Jimi Hendrix
1942 - 1970
guitar, electric . "Crepuscule with Nellie," by Thelonious Monk Thelonious Monk
1917 - 1982
piano , presented here in a radically sliced-up form, is from Moran's 2009 performance piece and Monk homage, In My Mind. That the material hangs together so naturally is a testament to the trio's strength, its distinct and highly evolved improvisational approach.

Mateen contributes "The Subtle One," vaguely reminiscent of Mal Waldron Mal Waldron
1926 - 2002
piano 's "Soul Eyes." His acoustic bass guitar pops nicely in the mix and it serves his soloing well on the Monk tune and "Play to Live," co-written by Moran and the late Andrew Hill Andrew Hill
1937 - 2007
piano . Waits' free-spirited rhythm, so key to the Bandwagon's very identity, is particularly alive during Jaki Byard Jaki Byard
1922 - 1999
piano 's stride-inflected "To Bob Vatel of Paris" and Leonard Bernstein's "Big Stuff," a Billie Holiday Billie Holiday
1915 - 1959
vocal vehicle originally from the ballet Fancy Free. The spirit of electric Miles Davis Miles Davis
1926 - 1991
trumpet seems to rear its head on "Gangsterism Over 10 Years," a disguised variant of the Bandwagon's de facto theme song.

Moran has a way of finding oddball elegance in a huge variety of music, and his treatment of Conlon Nancarrow's "Study No. 6" shows an ability to reinvent a specific theme not once but twice. The piece plays off a tension between the A Major and natural minor scales and Moran's ethereal second version is closer in spirit to the original. The first version, driven by Waits' lightly persistent mallets, is quicker in pace, tightly conceived but ready at an instant to break free of tempo confines. In a word, it's been Bandwagonized.

Track Listing: Blue Blocks; RKF in the Land of Apartheid; Feedback Pt. 2; Crepuscule with Nellie; Study No. 6; Pas de Deux--Lines Ballet; Study No. 6; Gangsterism Over 10 Years; Big Stuff; Play to Live; The Subtle One; To Bob Batel of Paris; Old Babies.

Personnel: Jason Moran: piano; Tarus Mateen: bass; Nasheet Waits: drums.

Record Label: Blue Note Records
Style: Modern Jazz