CD/LP/Track Review

Jamie Begian Big Band: Big Fat Grin (2010)

By
BRUCE LINDSAY,
Bruce Lindsay

Bruce Lindsay

CD/DVD Reviewer since 2008

Bruce is the author of the blog Delicious Hot Disgusting Cold, and the photoseries "It's Not How It Sounds".

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Published: June 2, 2010
Jamie Begian Big Band: Big Fat Grin

Who wants to take on the task of turning 17 individual musicians into a jazz big band? Very few people would attempt it, and fewer would succeed. Guitarist Jamie Begian did it in 1998 and the Jamie Begian Big Band now celebrates its 12th year with the release of its second album, Big Fat Grin. Begian not only leads the band, he wrote and arranged the tunes, and produced the album. That's a lot of responsibility, but the success of this album will surely make it feel worthwhile.

"Funky Coffee" opens the album, its initial phrases bearing a passing resemblance to the theme tune from the original film version of Casino Royale (1967). It certainly is funky, but in a refined, smooth fashion that makes the most of the horn section's silky ensemble playing, and the bass and drums of Dave Ambrosio and Peter Retzlaff. As with all of the tunes, Begian builds in space for two or three solos and the players—Marc McDonaldMarc McDonald Marc McDonald
b.1961
saxophone
on alto, Tom Goehring on trumpet and Deborah WeiszDeborah Weisz Deborah Weisz

trombone
on trombone, in this case—always use that space to excellent effect.

Two contrasting tunes show the range of Begian's writing and arranging talents. "Halay" displays elements of East European folk, hints of Duke EllingtonDuke Ellington Duke Ellington
1899 - 1974
piano
and even the humor of Raymond ScottRaymond Scott Raymond Scott
b.1908
's idiosyncratic compositions. Dimitri Moderbacher's clarinet takes a central role on this driving and swinging tune. The lovely "Suddenly, Summer Falls" is a more serious piece; its beautiful melody is laidback and controlled but still emotive, and once again the solos—from Begian, Moderbacher on flute, and flugelhornist Jason Colby—are crucial to the tune's success.

On some occasions—the mid-section of "Funky Coffee" and the first half of "Patience"—there is a tendency for the higher-register instruments to overwhelm the bass sounds, and this leads to a loss of the tunes' rhythmic roots; probably a result of the mix rather than the arrangement. Elsewhere, the instrumental combination works perfectly, creating a balance of sounds even on Begian's most ambitious compositions, such as the four-part "Tayloration."

Big Fat Grin shows just how a talented big band can create affecting music. As a player, Begian is a key member of the group but he stays predominantly in the background. His strength as a leader lies not only in his writing and arranging but in his ability to identify and use his band members' strengths to their greatest effect-. It's a rare ability, and one which helps to make Big Fat Grin such a successful example of a big band at work.

Track Listing: Funky Coffee; Halay; Patience; Suddenly, Summer Falls; Tayloration 1; Tayloration 2; Tayloration 3; Tayloration 4; Big Fat Grin.

Personnel: John O'Gallagher: alto sax, soprano sax; Marc McDonald: alto sax, clarinet; Ben Kono: tenor sax, oboe, clarinet, soprano sax; Dimitri Moderbacher: tenor sax, flute, clarinet, soprano sax; Dan Goble: baritone sax, bass clarinet; Tom Goehring: trumpet, flugelhorn; Dave Scott: trumpet, flugelhorn; Marty Bound: trumpet, flugelhorn; Jason Colby: trumpet, flugelhorn; Jeff Bush: trombone; Deborah Weisz: trombone; Paul Olenick: trombone; Max Siegel: bass trombone; Dave Ambrosio: bass; Bruce Arnold: guitar; Peter Retzlaff: drums; Jamie Begian: guitar.

Record Label: Innova Recordings
Style: Big Band

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