Home » Jazz Articles » Album Review » Ralph Lalama: The Audience

221

Ralph Lalama: The Audience

By

Sign in to view read count
Ralph Lalama: The Audience
A few choice items from the American Popular Songbook, tunes by Wayne Shorter, Duke Pearson, and Stevie Wonder, plus three brief duo improvisations, all rendered in a recognizable mainstream style by a band that includes two primary soloists and a bass and drums team. On the face of it, Ralph Lalama's second Mighty Quinn release appears rather modest relative to the ever expanding, unceasing advance of jazz and improvised music in the 21st Century. Nevertheless, throughout the ten tracks of The Audience the group delivers something as substantial as their forward leaning colleagues. Lalama and his cohorts, who occasionally play gigs in venues outside of New York City, possess the requisite skill and inspiration to pull off a clean, uncluttered, and coherent group sound that is rooted in bebop but indebted to no one.

Much of what needs to be known about Lalama's tenor saxophone prowess as well as his discerning approach to the music is encompassed in the ballad "Portrait of Jennie." Sporting a sumptuous tone, his lovely interpretation of the head is a textbook example of how to take liberties with a song's melody without distorting its essence. He bursts in at the end of guitarist John Hart's solo and offers clusters of thick set runs. Speeding up and slowing down like a roller coaster, Lalama's ninety second cadenza ends the track in a manner that's both sturdy and spectacular.

Hart has a penchant for making a lot of things happen in the midst of a somewhat cool exterior. During two choruses on "Love Thy Neighbor," he expertly rides the sure footed, medium tempo swing of bassist Rick Petrone, and drummer Joe Corsello, nimbly scampers away at will, inserts reflective chords, quotes "I've Never Been In Love Before" and "I'm Beginning To See The Light," and offers ample helpings of a blues influenced, soul jazz vocabulary. Frankly, it is hard to think of many guitarists who are as good at fusing so many disparate strands.

Because there's nothing flashy or tumultuous about the support of Petrone and Corsello, it's easy to take for granted their essential contributions to the record. Regardless of the tempo or type of material, they invariably make their presence felt in an unostentatious manner. It's worth diverting attention away Lalama and Hart for awhile to discover just how good the bassist and drummer are at keeping things moving. On a relaxed rendition of "I'm an Old Cowhand," for example, they generate a smooth, flowing, seemingly effortless swing throughout the head and solos.

Contrary to the current glut of jazz recordings composed of bands filled with virtuosic, strong willed individuals who play at one another and compete for attention, The Audience is largely about cooperation and mutual support. Because of a willingness to heed the call of something larger than their own individual talents, Lalama and company have produced a deeply satisfying recording.

Track Listing

Marie Antoinette; Livin' For The City; Love Thy Neighbor; Jonme; Portrait of Jennie; Minor League; Jome; Kiss & Run; Ricme; I'm an Old Cowhand.

Personnel

Ralph Lalama
saxophone

Ralph Lalama: tenor sax; John Hart: guitar; Rick Petrone: bass; Joe Corsello: drums.

Album information

Title: The Audience | Year Released: 2010 | Record Label: Mighty Quinn Productions


< Previous
Highway Rider

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

8 Concepts of Tango
Hakon Skogstad
How Long Is Now
Christian Marien Quartett
Heartland Radio
Remy Le Boeuf’s Assembly of Shadows

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.