Meet Zack Albetta: Since coming to Kansas City in 2003, Zack has been active throughout the Midwest as a performer, composer/arranger, educator, author, adjudicator and clinician. His performance credits to date include Angela Hagenbach, The Kansas City Symphony, The Kansas City Repertory Theatre, Stan Kessler, The 18th & Vine Big Band, Mark Lowrey, Shay Estes, and Trio ALL. Zack has several recordings to his credit with Kansas-City-based artists Shay Estes, Trio ALL, Ron Gutierrez, and Clint Ashlock's New Jazz Order Big Band. He has also performed and/or recorded with national and international artists such as Bobby Watson,Karrin Allyson, Mary Stallings, Dr. Art Davis and Roberto Magris, and worked as a commercial session drummer for Hallmark Greeting Cards. As a writer, his articles have been published in Percussive Notes Magazine, the periodical publication of the Percussive Arts Society, and OnlineDrummer.com, an educational website on which he has also been featured in two instructional videos.
Instrument(s):
Drums.
Teachers and/or influences?
Bobby Watson, Doug Auwarter, Michael Carvin.
I knew I wanted to be a musician when...
I was born.
Your sound and approach to music:
If it feels good to you and you play honestly, it'll feel good to everyone else.
Your teaching approach:
Something about teaching a man to fish.
Your dream band:
All of 'em.
Favorite venue:
Jardine's Jazz Club, Kansas City, MO.
Your favorite recording in your discography and why?
Couldn't choose.
The first Jazz album I bought was:
I was told I should check out Miles Davis so I went out and got You're Under Arrest. Not the best choice for a gateway into jazz. I soon opted for Birth of the Cool.
What do you think is the most important thing you are contributing musically?
Taste, touch, class.
Did you know...
I share a birthday (August 4th) with Louis Armstrong, Fidel Castro and Barack Obama
How would you describe the state of jazz today?
All bets are off.
What are some of the essential requirements to keep jazz alive and growing?
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.