CD/LP/Track Review

Gerald Wilson Orchestra: Detroit (2009)

By
ROBERT J. ROBBINS,
Robert J. Robbins

Robert J. Robbins

CD/DVD Reviewer since 2009

Robert has covered jazz for over 30 years and contributes regularly to Big Bands International in the UK.

Recent articles (13 total)

Published: November 28, 2009
Gerald Wilson Orchestra: Detroit

Commissioned by the Detroit International Jazz Festival and premiered on the occasion of the composer's 91st birthday, Gerald Wilson's six-movement "Detroit Suite" demonstrates that after nearly seven decades in the music business, the nonagenarian composer and arranger still has a great deal to offer in terms of musical creativity. Wilson spent the latter part of his teen years in the Motor City, where he studied trumpet, piano, percussion, and composition at Cass Technical High School from 1934-39, and he still regards Detroit as a "hometown."

The opening "Blues on Belle Isle," which is named for a park on a island in the Detroit River, features the alto sax of Randall Willis, trumpeter Sean Jones, violinist Yvette Devereaux (following in the footsteps of the young Jean-Luc PontyJean-Luc Ponty Jean-Luc Ponty
b.1942
violin
, who occupied this chair in the Wilson ensemble four decades ago), and guitarist and Gerald's son Anthony WilsonAnthony Wilson Anthony Wilson
b.1968
guitar
, who has been a mainstay of the Diana KrallDiana Krall Diana Krall
b.1964
piano
quartet for the past several years. "Cass Tech," Wilson's paean to his alma mater, is a variation on Benny GolsonBenny Golson Benny Golson
b.1929
sax, tenor
's "Along Came Betty" in much the same fashion as Bill HolmanBill Holman Bill Holman
b.1927
band/orchestra
's take on "Stompin' at the Savoy" for Stan KentonStan Kenton Stan Kenton
1911 - 1979
piano
over a half-century ago. The ballad "Detroit" spotlights Willis on flute, Jones on fluegelhorn, and the tenor sax of Kamasi Washington (Jones and Washington appear on both the Los Angeles and New York sessions).

Based on the chord changes of Billy StrayhornBilly Strayhorn Billy Strayhorn
1915 - 1967
piano
's "Chelsea Bridge," "Miss Gretchen" salutes Mack Avenue founder and president Gretchen Valade with solos from pianist Brian O'Rourke and the Harmon-muted trumpet of Winston Byrd, plus Devereaux (adapting the classic Ben WebsterBen Webster Ben Webster
1909 - 1973
sax, tenor
solo from the release to her violin) and Anthony Wilson. Latin rhythms a la Wilson's "Carlos" and "Viva Tirado" predominate in "Before Motown" (which bears absolutely no connection with the musical genre of that name), with Bobby RodriguezBobby Rodriguez Bobby Rodriguez
's trumpet, Les Benedict's trombone, and the tenors of Washington and Louis Van Taylor all capturing attention. "The Detroit River," on the other hand, resembles Count BasieCount Basie Count Basie
1904 - 1984
piano
on steroids, as trumpeter/contractor Ron Barrows, veteran soprano saxophonist Jackie KelsoJackie Kelso Jackie Kelso
b.1922
sax, alto
, trombonist Eric Jorgensen, Devereaux, Van Taylor, O'Rourke, and Anthony Wilson all contribute to this hyper-charged swinger.

The two remaining tracks, "Everywhere" (a remake of the title cut from a 1968 Pacific Jazz LP by Wilson) and "Aram," are from the same sessions as Wilson's 2005 New York, New Sound (his Mack Avenue debut) and feature the New York ensemble. Flute legend Hubert LawsHubert Laws Hubert Laws
b.1939
flute
highlights the modal "Everywhere," while "Aram" (possibly named for the Soviet-era Armenian composer Aram Khachaturian) offers frequent rhythmic shifts between jazz-waltz and straight-ahead 4/4 tempi supporting powerful solos by trumpeter Terell StaffordTerell Stafford Terell Stafford
b.1966
trumpet
(Director of Jazz Studies of the Boyer College of Music at Philadelphia's Temple University, and a member of NYC's celebrated Vanguard Jazz OrchestraVanguard Jazz Orchestra Vanguard Jazz Orchestra

band/orchestra
) and altoist Antonio Hart.

Track Listing: Blues on Belle Isle; Cass Tech; Detroit; Miss Gretchen; Before Motown; The Detroit River; Everywhere; Aram.

Personnel: Gerald Wilson, conductor, composer, arranger; Los Angeles: Ron Barrows: trumpet, contractor; Bobby Rodriguez: trumpet; Sean Jones: trumpet; Jeff Kaye: trumpet; Rick Baptist: trumpet; Winston Byrd: trumpet; Eric Jorgensen: trombone; Les Benedict: trombone; Mike Wimberly: trombone; Shaunte Palmer: trombone; Jackie Kelso: alto, soprano saxes; Randall Willis: alto sax, flute; Carl Randall: tenor sax; Kamasi Washington: tenor sax; Louis Van Taylor: tenor, baritone saxes; Terry Landry: baritone sax; Yvette Devereaux: violin; Brian O'Rourke: piano; Anthony Wilson: guitar; Trey Henry: bass; Mel Lee: drums; New York: Jon Faddis: trumpet, fluegelhorn, contractor; Frank Greene: trumpet, fluegelhorn; Jimmy Owens: trumpet, fluegelhorn; Sean Jones: trumpet, fluegelhorn; Terell Stafford: trumpet, fluegelhorn; Dennis Wilson: trombone; Luis Bonilla: trombone; Jay Ashby: trombone; Douglas Purviance: bass trombone; Hubert Laws: flute; Steve Wilson: alto and soprano saxes, flute; Antonio Hart: alto and soprano saxes, flute; Ron Blake: tenor sax; Kamasi Washington: tenor sax; Ronnie Cuber: baritone sax; Renee Rosnes: piano; Anthony Wilson: guitar; Peter Washington: bass; Lewis Nash: drums.

Record Label: Mack Avenue Records
Style: Big Band

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