Take Five With...

Take Five With Willerm Delisfort

By
AAJ STAFF,
AAJ Staff

AAJ Staff

Contributor since 1995

Various staff members.

Recent articles (1,149 total)

Published: October 24, 2009

Meet Willerm Delisfort:
Pianist and composer Willerm Delisfort is a messenger of life using music as his tool. His career extends the continuum of musical styles that ranges from jazz, gospel, R&B and many more. Because of this, Willerm's versatility has created a high demand for him with prominent jazz, rap, soul, and fusion artists including 2009 Best World Guitarist Fareed HaqueFareed Haque Fareed Haque

guitar
, Grammy Award-winning artist T-Pain, Corey Wilkes,Javon JacksonJavon Jackson Javon Jackson
b.1965
saxophone
George Freeman, etc.. Featured on over seven albums on piano, along with several commercial recordings broadcast all over the world. His most recent, the critically acclaimed Flat Planetâ by Virtuosity Guitarist Fareed Haque, which is available on Owl Studio Records. Next expected release will be Willerm's debut album, Freedom Riders scheduled to be released in September 2009.

Instrument(s):
Piano.

Teachers and/or influences?
Willie Pickens, John McMinn, Melton Mustafa St. and Ronald Carter.

I knew I wanted to be a musician when...
I first played the piano. It was weird, it all came about when I went over to a friend of the family's house, and he had a organ (weird I know). I found it really intriguing, therefore, being a kid, what else am I gonna do, so I went on it to play. Thinking my mom was gonna jump on me for it, Sego (friend of the family) said "No, let him play." Therefore the next day comes along, and I got tired of waiting for an hour until my big brother gets home from school, I went on and looked for something to do. On the school wall at Shadowland Elementary School in Little Haiti Miami, FL was a flyer for piano lessons, just $5 a week. I immediately rip the flyer off the wall and asked my father was it Ok, he looked at me and said "If you want to, sure."

I wasn't the greatest at most things in school, I wasn't the best in English, the fastest runner (but close to it), I didn't get the highest scores, but it came to music, I was able to shine the way a mother's child should shine.

Your sound and approach to music:
Hmmm... This has always been a hard question to answer simply because I never try to place it in a category or box to be interpret. I always wanted to be the guy who made you feel good when ever you heard him play or his music you know? Some of my influences in life have been musicians / groups such as; Oscar PetersonOscar Peterson Oscar Peterson
1925 - 2007
piano
, Wynton KellyWynton Kelly Wynton Kelly
1931 - 1971
piano
, McCoy TynerMcCoy Tyner McCoy Tyner
b.1938
piano
, Herbie HancockHerbie Hancock Herbie Hancock
b.1940
piano
, Parliament/Funkadelic, Sly & The Family Stone, Chaka Khan, Michael Jackson, Roy HargroveRoy Hargrove Roy Hargrove
b.1969
trumpet
etc.

When I heard Wynton Marsalis album Black Codes for the first time in college, I remember my approach to writing music took a drastic turn from a kid who grew up emulating Sammy NesticoSammy Nestico Sammy Nestico
b.1924
composer/conductor
, Thad JonesThad Jones Thad Jones
1923 - 1986
trumpet
, Duke EllingtonDuke Ellington Duke Ellington
1899 - 1974
piano
, to David SanchezDavid Sanchez David Sanchez

sax, tenor
, Wynton Marsalis, Nicholas PaytonNicholas Payton Nicholas Payton
b.1973
trumpet
(Payton's Place).

Your teaching approach:
My approach to teaching music is understanding the basic necessities, teaching how and why is it important to know it, and show them how you can take it further than that, simply because you know the basics.

For example:
Voicing Harmonies: The basic necessity in voicing harmonies, are the three notes which gives it its identity. Root 3rd 7th. Root = Name, 3rd = Gender, 7th = Ethnicity. Root = Willerm Delisfort, 3rd = Male, 7th = African American, What else do the cops need?!?!?

The root tells you the foundation.

The 3rd tells you whether it's Major or Minor, (There is no other tonality)

The 7th determines the extensions of the root.

Everything else is simply color, doesn't make it wrong or right, just identifies you with your creativity.

Your dream band:
Ahhh, this is a question that the guys and I always have on tour or a road trip. If I could ever work with Nicholas Payton that would be a treat. I have always been a big fan of trumpet players, I don't know why, but I am a huge fan.

Nevertheless, my dream band would be (as far as musicians with us today); Rodney WhitakerRodney Whitaker Rodney Whitaker
b.1968
bass, acoustic
(bass), Tim WarfieldTim Warfield Tim Warfield

sax, tenor
(tenor sax), Nicholas Payton (trumpet), Brian BladeBrian Blade Brian Blade
b.1970
drums
(drums). Wow that was a really hard one.

As far as my dream group (musicians no longer with us); Ed ThigpenEd Thigpen Ed Thigpen
1930 - 2010
drums
(Drums), Ray BrownRay Brown Ray Brown
1926 - 2002
bass, acoustic
(Bass). Keeping it trio so I can have them all to myself.

comments powered by Disqus

View 2 archived comment(s)

Weekly Giveaways

Will Calhoun

Will Calhoun
About | Enter

Verve Jazz Ensemble

Verve Jazz Ensemble
About | Enter

Sinan Bakir

Sinan Bakir
About | Enter

Joshua Redman

Joshua Redman
About | Enter