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Carlos Zingaro: Spectrum
A group made up entirely of strings might initially suggest chamber music, but this all-European trio produces music that crosses many boundaries, not so much to create music that's eclectic but to define its own terrain. Portuguese violinist Carlos Zingaro is a well-known exponent of free improvisation while the bassist Wilbert de Joode has served as foundation in a broad spectrum of Amsterdam-based bands from jazz to free improvisation. But what most defines this group's original sound is the presence of Dominique Regef, the French master of the hurdy-gurdy (or sanfona or vielle à roue, other names offered on this CD) or wheel fiddle, a medieval form of violin played with a wheel that functions as a bow. Exploiting the instrument's drone string and employing some novel playing techniques (there are rhythmic patterns that sound like a playing card in a bicycle wheel), Regef provides plenty of sonic stimulation to Zingaro and De Joode as well as some adept improvisations.
Divided into three long tracks, the first begins with a curiously poetic prelude in which sounds that approximate a classical ensemble tuning up suddenly drift to light, wispy sounds and then fall silent. It's almost a putting to rest of some string conventions. The longest piece, the 25-minute "Spectra 02," begins with Zingaro archly melodic in a startlingly vibrant upper register while De Joode plays sudden arpeggios and Regef creates a "bee-loud glade," a dense buzzing drone. If the opening would sound at home with one of the Bartók violin concertos, that intensity transmutes time, eventually creating a vibrating sonic world. It's not one you'd necessarily associate with the practices of free improvisation, but summons up a primal village music that seems to stretch across a lost century, fusing Persian and Indian influences through North Africa into Spain and the rest of Europe. It's a sound that is local and universal, primeval and contemporary. It's the kind of brilliant result that can only arise in the spontaneous encounter of strong musical personalities.
Divided into three long tracks, the first begins with a curiously poetic prelude in which sounds that approximate a classical ensemble tuning up suddenly drift to light, wispy sounds and then fall silent. It's almost a putting to rest of some string conventions. The longest piece, the 25-minute "Spectra 02," begins with Zingaro archly melodic in a startlingly vibrant upper register while De Joode plays sudden arpeggios and Regef creates a "bee-loud glade," a dense buzzing drone. If the opening would sound at home with one of the Bartók violin concertos, that intensity transmutes time, eventually creating a vibrating sonic world. It's not one you'd necessarily associate with the practices of free improvisation, but summons up a primal village music that seems to stretch across a lost century, fusing Persian and Indian influences through North Africa into Spain and the rest of Europe. It's a sound that is local and universal, primeval and contemporary. It's the kind of brilliant result that can only arise in the spontaneous encounter of strong musical personalities.
Track Listing
Spectra 01; Spectra 02; Spectra 03.
Personnel
Carlos Zingaro
violinCarlos Zíngaro: violin; Dominique Regef: hurdy gurdy; Wilbert DeJoode: bass.
Album information
Title: Spectrum | Year Released: 2009 | Record Label: Clean Feed Records
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carlos zingaro
CD/LP/Track Review
Stuart Broomer
Clean Feed Records
United States
New York
New York City
Wilbert De Joode
Spectrum