Fred Simon: Since Forever (2009)
's distinctive vernacular while, despite a completely different instrumental focus, it's easy to imagine the Midwestern vibe of "I Know You Know" as part of the PMG repertoire.
With the more ambitious Since Forever, Simon's lost none of his capacity for detail, or for shaping melodies that linger, long after the performances are over. His attractive and accessible writing hints at quintessentially American composers like Aaron Copland and Charles Ives, especially on "Simple Psalm," where Walker's turbulent drumming and Rodby's unshakable pulse create a surprising context for Simon and McCandless' rubato duet; clearly, some of Since Forever's most innovative and evolutionary moments. There are also unmistakable markers that place him along the same general continuum as PMG and Oregon. The dark, arpeggio-driven "Even in the Evening" orbits around Ralph Towner
McCandless, armed with a bevy of instruments ranging from soprano saxophone and oboe to bass clarinet and duduk, remains one of the contemporary music's most impeccable multi-instrumentalistsa true master of all who never loses sight of the music, creating improvised motifs as inevitable extensions of the writer's preconceived themes. Simon is something of a reluctant soloist; self-admittedly, considering himself a composer first and foremost, although his consistently fine playinghis best to date, in factis in no way overshadowed by his better-known band mates. He may not be as overtly virtuosic, but on pieces like "Same Difference," a profoundly resonant duet with McCandless, he's equally evocative, and just as inspired.
Despite rarely soloing, Rodby's voice is essential to the sound of PMG. Here he's afforded more space; like Simon, however, he trades overt technicality for the perfect note, the ideal phrase on tunes like the quietly bold "Way of Seeing." Walker demonstrates both strength and understatement, creating a roiling underpinning to the bright and deceptively climactic "What's the Magic Word?," whose dramatic peak is only exceeded, two songs later, by the episodic closer, "Beginning/Middle/End," where Simon sums up many of his concerns, from the painfully beautiful opening and up-tempo, backbeat-driven middle section, to its slowly building, march-like ending.
If Remember the River was an album of grace, charm, and dignity, then Since Forever recaptures those same qualities but ups the ante with a stronger rhythmic force and more advanced group interaction. A beautiful, True Stereo recording, it's sure to be a sleeper hit of 2009an album of impassioned sensitivity, more expansive dynamics, and even clearer narrative arc.
Track Listing: Since Forever; No War Nowhere; Even in the Evening; I Know You Know; In a Silent Way; More Often Than Not; Simple Psalm; Same Difference; Ways of Seeing; What's the Magic Word?; Song of the Sea; Beginning/Middle/End.
Personnel: Fred Simon: piano; Paul McCandless: soprano saxophone, oboe, English horn, bass clarinet, duduk; Steve Rodby: acoustic bass; Mark Walker: drums, percussion.
Record Label: Naim Label
Style: Modern Jazz