Home » Jazz Articles » Album Review » Mark Isaacs Resurgence Band: Tell It Like It Is

488

Mark Isaacs Resurgence Band: Tell It Like It Is

By

Sign in to view read count
Mark Isaacs Resurgence Band: Tell It Like It Is
Sometimes it's better to work on home turf, with familiar musicians. Mark Isaacs' studio disc, Resurgence (ABC Jazz, 2007), paired the Australian pianist and guitarist James Muller—another Australian talent deserving of far greater attention—with American heavy hitters including drummer Vinnie Colaiuta, bassist Jay Anderson and saxophonist Bob Sheppard. But as fine as the relative miniatures of Resurgence were, Isaacs' revamped Resurgence Band and the extended workouts of the live Tell It Like It Is far surpass anything on the previous album to make it Isaacs' strongest jazz outing to date.



It's important to define Tell It Like It Is as a jazz recording because Isaacs is a multidisciplinary artist who has also worked in the realms of classical and film music. Isaacs' eight original compositions are undeniably in the jazz sphere, but Isaacs' work in other areas clearly imbues both his writing and playing. Five tunes well exceed the ten-minute mark, and while ample solo space provided to the returning Muller, saxophonist Matt Keegan, bassist Brett Hirst and drummer Tim Firth is certainly part of the equation, so, too, is a more expansive and cinematic approach to writing that's significantly distanced from a "head-solo-head" approach. Even shorter pieces like the largely composed and hauntingly beautiful "Night Song, Part 1" use interpretation of the written score to lift them off the page and retain a subtle but strong sense of surprise that transcends simple form to create compelling arcs. And when form and freedom meet, as they do on Isaacs' unaccompanied solo, "Night Song, Part 2," there's a strong sense of attunement to, say, the spare elegance of classical composer Erik Satie.



The elusively ambiguous but strangely relentless "Minsk" provides an early highlight for Keegan on soprano, while Isaacs' solo—a combination of modal intensity and impressionistic abstraction—lifts the song as Hirst and Firth gradually build the dynamics. Muller—whose own albums including Kaboom (Birdland, 2006) and work with American drummer Chad Wackerman on Legs Eleven (Independent, 2004) have demonstrated an evolving player who's both a musical chameleon and individual voice—just keeps getting better, with a remarkable command of harmony and an ability to balance lithe linear melodies with rich chordal voicings, as he demonstrates throughout the soulful "You Never Forget Love" and fiery Latin-esque workout of "Homecoming," where his solo reaches into the stratosphere before ending with some revealing rapid-fire exchanges with Isaacs.



Isaacs also proves he can kick it hard on the shuffling title track, a blues-drenched 16 minutes that reference both Keith Jarrett and the late Michael Brecker. Everyone's going for it with abandon, especially Keegan's rough-edged tenor, Isaacs' outré yet completely empathic harmonic accompaniment, and Muller's distorted shredding. There are many reasons why Tell It Like It Is is Isaacs' best and hottest jazz album to date, but the Resurgence Band's energy and acute interplay, mixed with some of the pianist's best charts ever, make it an album that deserves attention far beyond Australia's shores.

Track Listing

Minsk; You Never Forget Love; Homecoming; Night Song Part 1; Night Song Part 2; Angel; Tell It Like It Is; Between the Shores.

Personnel

Mark Isaacs: piano; James Muller: guitar; Matt Keegan: soprano and tenor saxophone; Brett Hirst: bass; Tim Firth: drums.

Album information

Title: Tell It Like It Is | Year Released: 2009 | Record Label: ABC Jazz

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Fiesta at Caroga
Afro-Caribbean Jazz Collective
Fellowship
David Gibson
Immense Blue
Olie Brice / Rachel Musson / Mark Sanders

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.